Istvan Kertesz, Bamberg Symphony Orchestra & Vienna Symphony Orchestra – Haydn & Mozart Symphonies (Japan 2016) SACD ISO + DSF DSD64 + Hi-Res FLAC

Istvan Kertesz, Bamberg Symphony Orchestra & Vienna Symphony Orchestra – Haydn & Mozart Symphonies (Japan 2016)
PS3 Rip | 2x SACD ISO | DSD64 2.0 Stereo > 1-bit/2.8224 MHz | 129:12 min | Front/Rear Covers | 5,23 GB
or DSD64 2.0 Stereo (from SACD-ISO to Tracks.dsf) > 1-bit/2.8224 MHz | Front/Rear Covers | 5,11 GB
or FLAC Stereo (carefully converted & encoded to tracks) 24bit/96 kHz | Front/Rear Covers | 2,72 GB
Denon/Nippon Columbia / Tower Records Japan # TWSA-1033~34

Japanese double-disc compilation of Istvan Kertesz’s 60s recordings for Eurodisk label. Features Joseph Haydn’s and Wolfgang Amadeus Mozart’s Symphonies performed with Bamberg Symphony Orchestra & Mozart’s “Coronation Mass” performed with Vienna Symphony Orchestra. Remastered in 2016 at High Definition 96kHz/24bit from the original analog master of home country.

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Vienna Symphony Orchestra & Hermann Scherchen – J.S. Bach: Musikalisches Opfer, BWV 1079 (Arr. for Chamber Ensemble by Roger Vuataz) (2024) [Official Digital Download 24bit/96kHz]

Vienna Symphony Orchestra & Hermann Scherchen – J.S. Bach: Musikalisches Opfer, BWV 1079 (Arr. for Chamber Ensemble by Roger Vuataz) (2024)
FLAC (tracks) 24 bit/96 kHz | Time – 47:54 minutes | 950 MB | Genre: Classical
Studio Masters, Official Digital Download | Front Cover | © Archipel

The Musical Offering (German: Musikalisches Opfer or Das Musikalische Opfer), BWV 1079, is a collection of keyboard canons and fugues and other pieces of music by Johann Sebastian Bach, all based on a single musical theme given to him by Frederick the Great (King Frederick II of Prussia), to whom they are dedicated. They were published in September 1747. The Ricercar a 6, a six-voice fugue which is regarded as the high point of the entire work, was put forward by the musicologist Charles Rosen as the most significant piano composition in history (partly because it is one of the first). This ricercar is also occasionally called the Prussian Fugue, a name used by Bach himself.

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