Sondra Radvanovsky, Lyric Opera of Chicago, Riccardo Frizza – The Three Queens (Live) (2022) [Official Digital Download 24bit/96kHz]

Sondra Radvanovsky, Lyric Opera of Chicago, Riccardo Frizza - The Three Queens (Live) (2022) [Official Digital Download 24bit/96kHz] Download

Sondra Radvanovsky, Lyric Opera of Chicago, Riccardo Frizza – The Three Queens (Live) (2022)
FLAC (tracks) 24 bit/96 kHz | Time – 01:37:15 minutes | 1,62 GB | Genre: Classical
Studio Masters, Official Digital Download | Digital Booklet, Front Cover | © PentaTone

Lyric Opera of Chicago presents “The Three Queens”, a program that brings together the finales of Gaetano Donizetti’s Tudor trilogy, showcasing three of the most fascinating heroines of opera history. These extraordinary women are interpreted by soprano Sondra Radvanovsky, who performs them together with an excellent ensemble of soloists under the baton of Donizetti specialist Riccardo Frizza. Singing these three breathtaking roles on one night is an enormous challenge for any soprano, and this live recording captures all the excitement of this exceptional achievement.
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Sondra Radvanovsky, Ermonela Jaho, Jonas Kaufmann – Puccini: Turandot (2023) [Official Digital Download 24bit/96kHz]

Sondra Radvanovsky, Ermonela Jaho, Jonas Kaufmann – Puccini: Turandot (2023)
FLAC (tracks) 24 bit/96 kHz | Time – 02:05:36 minutes | 2,17 GB | Genre: Classical
Studio Masters, Official Digital Download | Front Cover | © Warner Classics

This recording of Turandot, Puccini’s spectacular final opera marks a number of important firsts. Before the recording sessions in Rome in March 2022, Sir Antonio Pappano had never conducted Turandot; neither Sondra Radvanovsky, who takes soaring title role, nor Jonas Kaufmann as Turandot’s suitor, Calaf – who sings ‘Nessun dorma’ – had previously performed the opera. It is also the first studio recording of Turandot to include the entire, crucial final scene as completed after Puccini’s death in 1925 by Franco Alfano. Radvanovsky and Kaufmann are joined by Ermonela Jaho as the slave Liù, Michele Pertusi as King Timur and Michael Spyres – a star tenor in a character role – as the Emperor of China. Pappano conducts the forces of the Accademia Nazionale di Santa Cecilia. The success of the entire project was confirmed by a public concert performance, greeted with a standing ovation, that took place a few days after recording had been completed: “Stunningly beautiful,” was the view of Opera magazine, “Pappano brings out the dramaturgical sense of every moment of the score …The singing was outstanding.” Il Corriere della Sera wrote that “First and foremost, this Turandot will be remembered [for] Antonio Pappano’s absolutely inspired achievement … It really felt like discovering a new Turandot.”

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