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Rone – Room with a View (2020)
FLAC (tracks) 24 bit/44,1 kHz | Time – 01:02:56 minutes | 696 MB | Genre: Electronic
Studio Masters, Official Digital Download | Front Cover | © InFiné
„Room With A View“ sees Rone returning to his musical roots and the set-up of his early albums: purely electronic, solitarily conceived without any musical collaborators. At the same time he was able to leave his comfort zone through a new kind of artistic liaison. The album was produced alongside a live show commissioned by the Théâtre du Châtelet in Paris and developed together with choreography collective (LA) HORDE and 20 dancers of the Ballet National de Marseille. This new kind of collaborative approach allowed Rone to produce his most sincere and far-reaching music in some time. Inspired by discussions of collapsologie and climate change, „Room With A View“ offers food for thought on how to deal with one of the most pressing issues of humanity. The Fenchman manages to let his trademark sound shine in a new light, pleasing early fans as well as every electronica enthusiast. Typically melodic beats like „Ginkgo Biloba“ nestle against tracks that exhibit classic influences from Boards of Canada („La Marbrerie“) to SAW-era Aphex Twin („Raverie“), euphoric dancefloor rhythms sit next to contemplative synth work.
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Rone, Dirk Brossé, Orchestre National de Lyon – L(oo)ping (Looping) (2023)
FLAC (tracks) 24 bit/48 kHz | Time – 01:00:12 minutes | 659 MB | Genre: Classical
Studio Masters, Official Digital Download | Front Cover | © InFiné
Even for Rone, who is used to taking bold steps, the orchestra always seemed a step too far. Motion laid the groundwork for L(oo)ping, a journey that saw Romain Allender (Wes Anderson’s The Grand Budapest Hotel and Guillermo del Toro’s The Shape of Water worked) serve as Rone’s creative translator.
He browsed through Rone’s repertoire and selected the tracks that would lend themselves better to symphonic reinterpretations. L(oo)ping, however, is not just an orchestral retelling of Rone’s work. Allender’s arrangements, as well as Rone’s own interaction with the Orchestre National de Lyon and conductor Dirk Brossé, breathed new life into the music.
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