Rachel Podger, Kristian Bezuidenhout – C.P.E. Bach: Sonatas for Keyboard & Violin (2023)
FLAC (tracks) 24 bit/192 kHz | Time – 01:12:59 minutes | 2,50 GB | Genre: Classical
Studio Masters, Official Digital Download | Digital Booklet, Front Cover | © Channel Classics
The Baroque dream team of Rachel Podger and Kristian Bezuidenhout interpret the astonishing music of C.P.E. Bach’s Violin Sonatas in C Minor, B Minor, D Major and G Minor. The two early sonatas here from the 1730s resemble the older style of his father. Listening to these works, you can imagine J.S. Bach glancing over Emanuel’s shoulders while he wrote them as a teenager at home in Leipzig. The later sonatas, written 30 to 50 years later, reveal an emancipated composer whose developed musical language embodies the ‘Empfindsamer Stil’, the directly emotional and rhetorical style characteristic of northern-german music of the time.
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Rachel Podger, Jonathan Manson and Trevor Pinnock – J.PH. Rameau: Pieces de Clavecin en Concerts (2002)
FLAC (tracks) 24 bit/192 kHz | Time – 01:06:47 minutes | 2,18 GB | Genre: Classical
Studio Masters, Official Digital Download | Front Cover | © Channel Classics
One of the most striking features of Rameau’s only collection of ensemble chamber music is that it seems less a tantalising essay in what French chamber music might have yielded – had Rameau not sought the bright lights of opera – than a singularly inspired genre of musical images whose significance resides almost exclusively in its own inimitable terms. The magical elusiveness of these works, so deliberately enigmatic, encourages us to ponder the significance of titles such as ‘Le Vézinet’ (as it happens, a forested suburb of Paris with a pleasure garden). We may hear a glistening carrousel but Rameau’s aqueous imagery reflects unending shards of light to ravish our senses.
Read moreRachel Podger – Mozart & Jones: Violin Sonatas Fragment Completions (2021)
FLAC (tracks) 24 bit/192 kHz | Time – 55:45 minutes | 1,67 GB | Genre: Classical
Studio Masters, Official Digital Download | Front Cover | © Channel Classics
Jones does himself a disservice by stating that his completions ‘inevitably disfigure’ Mozart’s music; this is something far more positive and respectful, a kind of homage paid across the centuries by a sincere and thoughtful devotee. Podger and Glynn deserve no less credit for committing themselves so completely to bringing the fruits of Jones’s scholarship off the page.
Read moreRachel Podger – Guardian Angel (2013)
FLAC (tracks) 24 bit/192 kHz | Time – 01:20:58 minutes | 2,30 GB | Genre: Classical
Studio Masters, Official Digital Download | Front Cover | © Channel Classics
Rachel Podger is one of the most creative talents to emerge in the field of period performance. This disc of solo violin music is a real mixture of some favourite pieces. This extraordinary beautiful recording is one of the finest solo Baroque violin compilations.
Read moreRachel Podger & Arte Dei Suonatori – Antonio Vivaldi: La Stravaganza – 12 Violin Concertos (2003)
PS3 Rip | SACD ISO | DST64 2.0 & DST64 5.0 > 1-bit/2.8224 MHz | Time: 01:11:41 | Digital Booklet | 5.91 GB
These performances of Vivaldi’s La Stravaganza – a collection of 12 violin concertos – are truly extravagant. They’re not designed to be listened to in one sitting and shouldn’t be: it’s not the sameness of the orchestration which might get in the way, it’s the intensity with which Vivaldi composed them and the manner in which the remarkable Rachel Podger plays them. Fans of Andrew Manze will love Podger for similar reasons.
Read moreRachel Podger, Pavlo Beznosiuk – Mozart: Sinfonia concertante – Haydn: Violin Concertos Nos. 1 & 4 (2009)
FLAC (tracks) 24 bit/96 kHz | Time – 01:08:06 minutes | 1,41 GB | Genre: Classical
Studio Masters, Official Digital Download | Front Cover | © Channel Classics
Violinist Rachel Podger has secured a name for herself as a master interpreter and performer of all things Baroque and early Classical. Her recent recordings of the complete Mozart violin sonatas thrust her career forward from her already prestigious beginnings as a member of the Palladian Ensemble and Florilegium. This Channel Classics album finds Podger in front of the innovative Orchestra of the Age of Enlightenment performing two Haydn concertos written during his time in the employ of the Esterházy family, as well as the instantly recognizable Mozart Sinfonia Concertante. Written for Luigi Tomasini, the concertmaster of the Esterházy Court Chapel, the two concertos are filled with dazzling pyrotechnic displays and soulful, sustained melodies, characteristics that play to Podger’s strengths. Any hints of stuffiness or rigidity conjured up when thinking of period instrument performances are at once dispelled with Podger’s vitally enthusiastic but well-controlled approach to her instrument. The Orchestra of the Age of Enlightenment likewise focuses on spontaneity, vibrancy, and beauty of tone. Joined by violist Pavlo Beznosiuk, the Mozart Sinfonia Concertante is treated with similar energy and excitement. A change of instrument, bow, and strings results in a warmer, more hushed tone from Podger that provides a nice contrast to the brightness heard in the Haydn. Keen listeners will also notice that the viola is tuned a half-step higher than usual, which was indicated in Mozart’s original score. The result here is a brighter, more clearly projecting instrument.
Read moreRachel Podger – Mozart: Complete Sonatas for Keyboard and Violin, Vol. 2 (2019)
FLAC (tracks) 24 bit/192 kHz | Time – 01:13:19 minutes | 2,18 GB | Genre: Classical
Studio Masters, Official Digital Download | Front Cover | © Channel Classics
Rachel & I feel that, by using a fortepiano throughout, we present a sort of musical ‘level playing field’ with regard to our choice of Mozart’s sonatas included on this disc – spanning as it does such a huge portion of the composer’s life & musical development. While K.6 may at first appear to the listener as amiable juvenilia, sitting as it does alongside a sonata of such undoubted breadth & maturity as K.481, we firmly believe that allowing Mozart’s early – and outstanding – ventures into this genre to speak for themselves by using using the same instruments throughout, we hope to draw attention to his early work in the best way – in a way that is not only so suggestive of what would in time follow, but also seeks to demonstrate the eight year old’s already fecund imagination and uncanny sense of musical line. Gary Cooper
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