Olivia Trummer Trio – Westwind (2008)
FLAC (tracks) 24 bit/44,1 kHz | Time – 58:20 minutes | 458 MB | Genre: Jazz
Studio Masters, Official Digital Download | Front Cover | © Neuklang
Olivia Trummer confirms with her second album her great talent. All songs are her own compositions and original material. Their music has matured and virtuosity, but without sacrificing quality and catchiness. Olivia Trummer remains true to her style refreshing lightness. For this purpose, undoubtedly contributes to the new lineup of the trio: In addition to Joel Locher on always-warm and woody double bass virtuoso emerged Bodek Janke, with its variety of sounds on drums and percussion, the music in a new light. As a special guest for this second album she has the young Matthias Schriefl on trumpet and flugelhorn invited. Schriefl underlines the quality of her original compositions with his trumpet, which will appeal to jazz fans of the older generation. Olivia Trummer at the piano proves size by always leaving room for their congenial players and the moments when she steps into the spotlight, to the full development of their phonetic poetry uses.
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Olivia Trummer Trio – Nach Norden (2006)
FLAC (tracks) 24 bit/44,1 kHz | Time – 54:06 minutes | 566 MB | Genre: Jazz
Studio Masters, Official Digital Download | Front Cover | © Neuklang
Olivia Trummer on their debut album avoids the heavy rhythms of hip hop. Instead, the 21-year-old Baden-Württembergerin, bassist Joel Locher and drummer Marcel Gustke subtle swing, but also romantic and consistently. The newcomer can condense a lot of time to build their pieces, they always listen to each other, they communicate, they relax the atmosphere and at the right moments – and without doubt have allies Miss Trummer a keen sense of drama and dynamics. Smooth and powerful, gripping and dreamy, introverted, and present sounds of the wings. Delicately decorated and plays around Olivia Trummer the melodic substance with differentiated stop, where she always remains focused on the essentials – a great talent that still leaves a lot of hope. Independent access to sensitive melodies of piano and bass together, while Marcel Gustke sets accents with his drums – he is far from being able to act only as a timekeeper. Rooted in the tradition of Paul Motian, he keeps his game pretty open and lets the clock structure but feel delicately. Stops and changes of rhythm fit perfectly with the eight numbers, and the themes are always worked out great.
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