Neal Davies, Sarah Connolly, Nick Pritchard, The Choir of Merton College – Bob Chilcott: Christmas Oratorio (2023)
FLAC (tracks) 24 bit/96 kHz | Time – 01:12:08 minutes | 1,10 GB | Genre: Classical
Studio Masters, Official Digital Download | Front Cover | © Delphian Records
Hailed as ‘a palpable success… and utterly new’ at its premiere performance, Bob Chilcott’s Christmas Oratorio brings the magic, wonder and joy of a centuries-old story to modern-day life. This first recording reassembles the glittering cast of soloists from the premiere: Nick Pritchard’s Evangelist, intimately accompanied by harp and flute, is joined by mezzo-soprano Dame Sarah Connolly and bass Neal Davies. Benjamin Nicholas’s award-winning Choir of Merton College, Oxford enrich the Christmas story with carols that are sure to become instant favourites. The composer is delighted with the recording, describing it as ‘elegant, well paced and poised… The choir is fabulous – confident and sure’.
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Sarah Fox, Dame Sarah Connolly, David Butt Philip, Neal Davies, London Mozart Players, William Vann – Parry: Scenes from Shelley’s Prometheus Unbound, Blest Pair of Sirens (2023)
FLAC (tracks) 24 bit/96 kHz | Time – 01:10:48 minutes | 1,19 GB | Genre: Classical
Studio Masters, Official Digital Download | Front Cover | © Chandos
Hubert Parry (1848-1918), regarded by many (including Edward Elgar) as the finest English composer since Purcell, and as the father of the modern English tradition, is best known for his hymn Jerusalem (immortalised by the Women’s Institute and English cricket supporters alike!). His anthem I was glad, written for the coronation of Edward VII, in 1902, has been used also at the coronations of George V, Elizabeth II, and Charles III (who is a proclaimed fan of Parry’s music). He taught composition at London’s Royal College of Music from 1883 to 1895, when he succeeded Sir George Grove as director of the College, a post he held until his death. His distinguished list of pupils included Ralph Vaughan Williams, Gustav Holst, Frank Bridge, and John Ireland. Inspired initially by the German romantics Mendelssohn and Schumann, Parry quickly became a devotee of Brahms and Wagner, whose influences can be heard in much of his output. But, from his earliest works, his own individual voice can be heard very clearly. Commissioned for the Three Choirs Festival, in Gloucester in 1880, his Scenes from Shelley’s Prometheus Unbound is just such an early work. The première received a mixed reception, but despite numerous repeat performances, in Cambridge, Oxford, and London, all with rave reviews, the piece sank into obscurity. Vernon Handley gave a performance for BBC Radio 3 in 1980, to mark the centenary of the première, but this world première recording is the first chance for modern audiences to hear this outstanding work.
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