Los Angeles Philharmonic Orchestra – Holst: The Planets (1971/2024) [Official Digital Download 24bit/176,4kHz]

Los Angeles Philharmonic Orchestra – Holst: The Planets (1971/2024)
FLAC (tracks) 24 bit/176,4 kHz | Time – 49:45 minutes | 1,93 GB | Genre: Classical
Studio Masters, Official Digital Download | Front Cover | © Decca Music Group Ltd.

Recorded 19 April 1971 in Royce Hall, Los Angeles, and mastered at Abbey Road Studios from the original Decca analogue tapes, this is a classic recording of Zubin Mehta directing the Los Angeles Philharmonic Orchestra through Gustav Holst’s influential 1914 work, The Planets.

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Krystian Zimerman, Los Angeles Philharmonic Orchestra, Carlo Maria Giulini – Chopin: Piano Concertos Nos. 1 & 2 (1978/2012) [Official Digital Download 24bit/96kHz]

Krystian Zimerman, Los Angeles Philharmonic Orchestra, Carlo Maria Giulini – Chopin: Piano Concertos Nos. 1 & 2 (1978/2012)
FLAC (tracks) 24 bit/96 kHz | Time – 01:12:30 minutes | 1,23 GB | Genre: Classical
Studio Masters, Official Digital Download | Front Cover | © Deutsche Grammophon (DG)

Chopin’s two piano concertos have long been admired more as pianistic vehicles than as integrated works for piano and orchestra. But in his revelatory new recording, Krystian Zimerman suggests otherwise: The opening orchestral tuttis have so much more light, shade, orchestral color, and detail, you wonder if they’ve been rewritten. Every gesture, every instrumental solo is so specifically characterized that by the time the piano makes a dramatic entrance, the pieces have become operas without words. One may wonder if Chopin intended that. In fact, he knew bel canto opera in his native Poland, but the more positive proof is that the music has so much more to say when treated this way. Some will find the performances disturbing: The interpretations are so much more about content than form, and there’s so much tempo and rhythmic flexibility, that the music sometimes seems unmoored and adrift. But upon repeated listening, the sense of fantasy is so beguiling that you wonder if you could ever go back to more conventional performances. –David Patrick Stearns

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