Kamasi Washington – Fearless Movement (2024)
FLAC (tracks) 24 bit/48 kHz | Time – 01:26:22 minutes | 1,23 GB | Genre: Contemporary Jazz, Fusion, Spiritual Jazz, Soul Jazz
Studio Masters, Official Digital Download | Front Cover | © Young
Kamasi Washington releases his new album, Fearless Movement, via Young. Washington calls Fearless Movement his dance album. “It’s not literal,” Washington says. “Dance is movement and expression, and in a way it’s the same thing as music—expressing your spirit through your body. That’s what this album is pushing.” Dance as an embodied form of expression signals a shift in focus for Washington. Where previous albums dealt with cosmic ideas and existential concepts, Fearless Movement focuses in on the everyday, an exploration of life on earth. This change in scope is due in large part to the birth of Washington’s first child a few years ago.
“Being a father means the horizon of your life all of a sudden shows up,” says Washington. “My mortality became more apparent to me, but also my immortality—realizing that my daughter is going to live on and see things that I’m never going to see. I had to become comfortable with this, and that affected the music that I was making.”
The album features Washington’s daughter—who wrote the melody to “Asha The First” during some of her first experimentations on the piano—as well as a host of collaborators new and old. André 3000 appears on flute, George Clinton lends his voice, as do BJ The Chicago Kid, Inglewood rapper D-Smoke and Taj and Ras Austin of Coast Contra, the twin sons of West Coast legend Ras Kass. Washington further enlisted lifelong friends and collaborators Thundercat, Terrace Martin, Patrice Quinn, Brandon Coleman, DJ Battlecat and more.
Read moreKamasi Washington – Fearless Movement (2024)
FLAC (tracks) 24 bit/44,1 kHz | Time – 01:26:21 minutes | 991 MB | Genre: Jazz
Studio Masters, Official Digital Download | Front Cover | © Young
Washington calls Fearless Movement his dance album. “It’s not literal,” Washington says. “Dance is movement and expression, and in a way it’s the same thing as music—expressing your spirit through your body. That’s what this album is pushing.” Dance as an embodied form of expression signals a shift in focus for Washington. Where previous albums dealt with cosmic ideas and existential concepts, Fearless Movement focuses in on the everyday, an exploration of life on earth. This change in scope is due in large part to the birth of Washington’s first child a few years ago. “Being a father means the horizon of your life all of a sudden shows up,” says Washington. “My mortality became more apparent to me, but also my immortality—realizing that my daughter is going to live on and see things that I’m never going to see. I had to become comfortable with this, and that affected the music that I was making.” The album features Washington’s daughter—who wrote the melody to “Asha The First” during some of her first experimentations on the piano—as well as a host of collaborators new and old. André 3000 appears on flute, George Clinton lends his voice, as do BJ The Chicago Kid, Inglewood rapper D-Smoke and Taj and Ras Austin of Coast Contra, the twin sons of West Coast legend Ras Kass. Washington further enlisted lifelong friends and collaborators Thundercat, Terrace Martin, Patrice Quinn, Brandon Coleman, DJ Battlecat and more. The album also features “The Garden Path,” a song Washington performed for the first time ever, making his late-night television debut, on “The Tonight Show Starring Jimmy Fallon.” Kamasi Washington is a multi-instrumentalist, composer and bandleader born and raised in Los Angeles. His three bodies of work to date—The Epic; Harmony of Difference, an EP originally commissioned for the 2017 Whitney Biennial; and Heaven and Earth—are among the most acclaimed of this century. As Told To G/D Thyself, his short film companion to Heaven and Earth, debuted at the 2019 Sundance Film Festival to widespread acclaim. In 2020, Washington scored the Michelle Obama documentary Becoming, earning Emmy and Grammy nominations for his work. Also in 2020, Washington co-founded the supergroup Dinner Party with long-time friends and collaborators Terrace Martin, Robert Glasper and 9th Wonder—their EP Dinner Party (Dessert) was subsequently nominated for a Grammy for Best Progressive R&B Album. In 2021, he contributed a cover of Metallica’s “My Friend of Misery” to the band’s Metallica Blacklist covers project. Washington has toured the world over and collaborated and shared stages with Kendrick Lamar, Florence + the Machine, Herbie Hancock and many more.
Read moreDinner Party, Terrace Martin, Robert Glasper, Kamasi Washington – Enigmatic Society (2023)
FLAC (tracks) 24 bit/48 kHz | Time – 24:55 minutes | 289 MB | Genre: Soul
Studio Masters, Official Digital Download | Front Cover | © Sounds of Crenshaw – EMPIRE
Only three months after the release of their 2020 Dinner Party LP, Terrace Martin, Robert Glasper, 9th Wonder, and Kamasi Washington certified that the project of the same name would not be a one-time deal. They presented Dinner Party: Dessert with Herbie Hancock, Snoop Dogg, Bilal, Tarriona “Tank” Ball (sans Bangas), and many other associates in on fairly radical alternate versions of each Dinner Party cut. At the end of the year, Dinner Party were behind the title track of Martin’s solo Village Days EP, and at some later point reconvened to make this follow-up. Enigmatic Society was synchronized with the unique quartet’s appearance at Coachella 2023. It’s another inviting exercise in concision that vaporizes genre distinctions between jazz, soul, and funk in a way that is ultimately hip-hop despite a total lack of MCs. Main Dinner Party vocalist Phoelix shares his role this time with Arin Ray and Ant Clemons. The three are on the same page with warmhearted expressions and intimate vocals that waft as peacefully as Martin and Washington’s saxophones. The tone is set by Phoelix in “Answered Prayer,” an atmospheric ballad built on Glasper’s serene piano; he sounds like he’s transmitting from the beyond as he sings of contentment and gratitude. “Secure,” also without drums, takes to the sky with help from the elder Tank. Phoelix signs off with “Can’t Go,” his noncompliance echoed by the sampled voice of Daryl Hall stretched to a drawl. Further evidence that this is a crew of ’80s babies is in the Sounwave co-production “Insane,” a showcase for a resigned Ant Clemons that blows bubbles with Mtume’s “Juicy Fruit.” Ray takes the mike for the album’s three most amiable songs, supporting an overwhelmed loved one on “Breathe,” and on both the softly bobbing “For Granted” and misty “Love Love” testifying in simple terms without being trite. As on the self-titled session, there is some instrumental material. The calmly driving “Watts Renaissance” evokes persistence and communal support. “The Lower East Side,” co-helmed by Trevor Lawrence, Jr., is dubbed-out funk with a grimace-inducing change at the two-minute mark. Enigmatic Society is neither as powerful nor as weighty as the debut, and certainly doesn’t seem intended to match it in those regards. It’s altogether a calmer, more romantic work. – Andy Kellman
Read moreKamasi Washington – The Epic (2015)
FLAC (tracks) 24 bit/44,1 kHz | Time – 02:53:30 minutes | 1,94 GB | Genre: Jazz
Studio Masters, Official Digital Download | Front Cover | © Brainfeeder
The story begins with a man on high. He is an old man, a warrior, and the guardian to the gates of a city. Two miles below his mountainous perch, he observes a dojo, where a group of young men train night and day. Eventually, the old man expects a challenger to emerge. He hopes for the day of his destruction, for this is the cycle of life.
Finally the doors fly open and three young men burst forth to challenge the old master. The first man is quick, but not strong enough. The second is quick, and strong, but not wise enough. The third stands tall, and overtakes the master. The Changing of the Guard has at long last been achieved.
But then the old man wakes up. He looks down at the dojo and realizes he’s been daydreaming. The dojo below exists, but everyone in training is yet a child. By the time they grow old enough to challenge the old man, he has disappeared.
This is, in essence, both a true story and a carefully constructed musical daydream, one that will further unfold in May of 2015, in a brazen release from young Los Angeles jazz giant, composer, and bandleader Kamasi Washington. The Epic is unlike anything jazz has seen, and not just because it emanates from the boundary-defying Brainfeeder, which isn’t so much a label in the traditional sense as it is an unfurling experiment conducted by the underground producer Flying Lotus who has featured Washington on his albums Cosmogramma and You’re Dead!.
Read moreKamasi Washington – Becoming (Music from the Netflix Original Documentary) (2020)
FLAC (tracks) 24 bit/96 kHz | Time – 30:42 minutes | 652 MB | Genre: Jazz
Studio Masters, Official Digital Download | Front Cover | © Young
Kamasi Washington‘s score to Michelle Obama‘s Netflix documentary Becoming has finally landed. The documentary paints a candid picture of the former First Lady’s life, from her early childhood to her marriage with Barack Obama, and the soundtrack is a vibrant jazz-tinged accompaniment that offers a whimsical “musical palette” to the personal story.
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