![Jordi Savall, Le Concert Des Nations - Schubert: Symphonies Nos. 8 & 9 (2022) [Official Digital Download 24bit/88,2kHz] Download](https://imghd.xyz/images/2022/12/02/ofac0k07xmvac_600.jpg)
Jordi Savall, Le Concert Des Nations – Schubert: Symphonies Nos. 8 & 9 (2022)
FLAC (tracks) 24 bit/88,2 kHz | Time – 01:25:56 minutes | 1,42 GB | Genre: Classical
Studio Masters, Official Digital Download | Front Cover | © Alia Vox
Jordi Savall releases his first Schubert album, following a recording of Beethoven’s complete symphonies which largely contributed to renew our vision of the early Romantic repertoire. The Catalan maestro delivers a recording freed from the weight of past traditions to underline the dynamics, the section balance and the timbres that are required in this repertoire. Jordi Savall decided to entitle this album Transfiguration, because, as he explains, we are always astonished at Schubert’s ability to reach this essentially internal and spiritual dimension, this kind of Transfiguration, which he simply sums up as follows in his diary in 1824: ‘My production is the result of my musical knowledge and my pain’ or, to quote a poem he wrote a little earlier: ‘When I wanted to sing love, it turned into pain. When I wanted to sing pain, it turned into love.’
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![Le Concert des Nation, Jordi Savall - Bach, J. S.: Les 4 Ouvertures BWV 1066-1069 (2012) [Official Digital Download 24bit/88,2kHz] Download](https://imghd.xyz/images/2022/08/21/2id4NaY.jpg)
![Jordi Savall - Gluck: Don Juan - Semiramis (2022) [Official Digital Download 24bit/96kHz] Download](https://imghd.xyz/images/2022/08/05/mbfjdrd229xvb_600.jpg)
Jordi Savall – Gluck: Don Juan – Semiramis (2022)
FLAC (tracks) 24 bit/96 kHz | Time – 01:05:20 minutes | 1,17 GB | Genre: Classical
Studio Masters, Official Digital Download | Front Cover | © Alia Vox
As early as 1761, a year before his masterpiece Orfeo ed Euridice, Gluck largely renewed another musical genre, the ballet, with his adaptation of a work by Molière for Viennese audiences: Don Juan. Another work, Sémiramis, followed a year later. These two works are innovative in that they offer, for the first time, a coherent narrative in which all the resources of the orchestra are put at the service of expressiveness. Jordi Savall and Le Concert des Nations bring out all the nuances of these scores, reminding us that a quarter of a century before Mozart, the stages of Europe were treated to all the evocative power of music by another outstanding figure: Christoph Willibald Gluck.
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