Sinfonia Of London, John Wilson, Adam Walker – Kenneth Fuchs: Orchestral Works, Vol. 1 (2023)
FLAC (tracks) 24 bit/96 kHz | Time – 59:16 minutes | 947 MB | Genre: Classical
Studio Masters, Official Digital Download | Front Cover | © Chandos
The Grammy-Award-winning Kenneth Fuchs (born 1956) is without doubt one of American music’s leading orchestral composers. His orchestral output has grown and developed to encompass a wide range of genres, from overtures and tone poems to suites and concertos (ten to date, including ones for string quartet, electric guitar, and piano, the last entitled Spiritualist), inspired by a diverse range of subjects, testimony to his wide sympathies and fields of knowledge. His output includes chamber music (including five string quartets), solos and duos, vocal and choral music, and four chamber musicals. Cloud Slant is a virtuoso orchestral concerto based on three canvasses by Helen Frankenthaler: Blue Fall (1966), Flood (1967), and Cloud Slant (1968) – not just musical depictions of them but also the composer’s reactions to their artistic sweep and power. The flute was Fuchs’ first instrument, so it was inevitable that he would compose a flute concerto. However, it was not until 2019 that he set about the task – for the flautist Peg Luke, to whom the concerto is dedicated. As is customary of compositions by this composer, the concerto carries a descriptive title, Solitary the Thrush, a reference to lines from Whitman’s elegy for Abraham Lincoln, ‘When Lilacs Last in the Dooryard Bloom’d’. Commissioned by the Californian Musique Sur La Mer Orchestras, Pacific Visions is scored for string orchestra, and is a single, dynamic movement sub-divided into five sections. Quiet in the Land, a Poem for Orchestra, is a revision of a chamber work which Fuchs composed in 2003, inspired by the rolling prairie of the Midwestern United States and the ‘immense arching sky’ under which it sits, cast against the impact of the Second Gulf War which had then recently broken out. The orchestral version heard here was composed in 2017 for the Phoenix Symphony.
Read moreBBC Philharmonic Orchestra & John Wilson – Coates: Orchestral Works, Vol. 3 (2023)
FLAC (tracks) 24 bit/96 kHz | Time – 01:06:50 minutes | 1,16 GB | Genre: Classical
Studio Masters, Official Digital Download | Front Cover | © Chandos
John Wilson’s third volume devoted to music by Eric Coates combines some of the composer’s larger-scale works with miniatures and two marches. The Cinderella Phantasy frames the well-known fairy-tale from Cinderella’s perspective, glossing over the more brutal elements of the original, with some notably descriptive writing for the dream sequences, the ball, and of course the happy ending. The Three Men is to some extent autobiographical, as Coates explores his love of his native Nottinghamshire countryside, his love for London, and his love of the sea. The Three Elizabeths is a suite of portraits of three great figures in English History – Queen Elizabeth I, Elizabeth of Glamis (then the Queen Consort, now remembered as the Queen Mother), and Princess Elizabeth (who of course would become Queen Elizabeth II). Last Love is a wistful Romance written in 1939, while the much later Sweet Seventeen, a beautiful waltz, was inspired by the love of dancing harboured by both Eric and his wife, Phyllis. In fact, the title refers to his first date with ‘Phyl’, at the Blenheim Restaurant, the day before her seventeenth birthday. Two marches complete the programme: Television March was commissioned by the BBC (just three weeks before the date of broadcast!) for the resumption of television broadcasting in 1946, while The Dam Busters was used as the main title for Michael Anderson’s 1955 film and is arguably the composer’s most widely known work.
Read moreLinda Richardson, Sinfonia of London & John Wilson – Italian Opera Arias (2021)
FLAC (tracks) 24 bit/96 kHz | Time – 01:10:13 minutes | 1,10 GB | Genre: Classical
Studio Masters, Official Digital Download | Front Cover | © Chandos
The British soprano Linda Richardson has performed extensively across the UK and continental Europe under conductors such as Bernard Haitink, Edo de Waart, Sir Mark Elder, Daniele Rustioni, Libor Pešek, and Carlo Rizzi. Her extensive repertoire includes roles ranging from Monteverdi and Mozart to Janácek, Britten, and Wagner.
Read moreSinfonia of London & John Wilson – Rachmaninoff: Symphony No. 2, Prelude in C# Minor (2023)
FLAC (tracks) 24 bit/96 kHz | Time – 01:04:08 minutes | 1,01 GB | Genre: Classical
Studio Masters, Official Digital Download | Front Cover | © Chandos
John Wilson and Sinfonia of London release their second album of Rachmaninoff. The Second Symphony was mostly composed in Dresden – where Rachmaninoff was escaping the political and professional pressures of Russia – in 1906 – 07. An hour’s worth of music, the symphony is one of his largest works after the operas, and is widely viewed as one of his greatest works. It was possibly of some significance to the composer, following the less than auspicious début of his First Symphony (which he withdrew after the première). First performed in St Petersburg and Moscow, conducted by the composer, the Second Symphony was an immediate success with audiences and critics alike, and remains a mainstay of the orchestral repertoire to this day. Rachmaninoff dedicated the score to his teacher Sergei Taneyev, who was a pupil of Tchaikovsky.
Rachmaninoff composed the Prélude in C sharp minor in 1892, originally for piano, at the beginning of his career. Stokowski’s orchestration, performed here, whilst not the only one in existence, is certainly the best known and arguably the most successful.
Read moreMichael McHale, BBC Scottish Symphony Orchestra, John Wilson – Bennett: Orchestral Works, Vol. 4 (2020)
FLAC (tracks) 24 bit/96 kHz | Time – 01:05:52 minutes | 1,06 GB | Genre: Classical
Studio Masters, Official Digital Download | Digital Booklet, Front Cover | © Chandos
In this fourth volume in their Richard Rodney Bennett series, John Wilson and the BBC Scottish Symphony Orchestra turn to his Piano Concerto, commissioned by the John Feeney Trust for the CBSO and written in 1968. A chance meeting with Stephen Kovacevich provided Bennett with a willing soloist, and the work was premiered in Birmingham in September that year. The fellow composer Anthony Payne’s judgement was unequivocal: ‘It’s a bloody good work.’ The soloist here, Michael McHale, gives a virtuosic performance which certainly lives up to that judgement.
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Sinfonia of London, John Wilson – Vaughan Williams, Howells, Delius, Elgar: Music for Strings (2023)
FLAC (tracks) 24 bit/96 kHz | Time – 01:06:00 minutes | 1,16 GB | Genre: Classical
Studio Masters, Official Digital Download | Front Cover | © Chandos
This keenly anticipated album from Sinfonia of London and John Wilson features two of the greatest British works for string orchestra: Ralph Vaughan Williams’s Fantasia on a Theme by Thomas Tallis, and Sir Edward Elgar’s Introduction and Allegro. Elgar’s ground-breaking work, commissioned for the newly formed London Symphony Orchestra and premiered in 1905, is inspired by the baroque concerto grosso, and features a solo string quartet contrasted with the full symphonic string section. These orchestral forces were also adopted by Herbert Howells in his Concerto for String Orchestra, from 1938. Delius’s Late Swallows is the only piece not originally composed for string orchestra; it was arranged (from the slow movement of Delius’s String Quartet) by his amanuensis, Eric Fenby. Recorded in Surround Sound and available as a Hybrid SACD, and digitally in Spatial Audio.
Read moreSinfonia of London & John Wilson – Rachmaninoff Symphony No. 3, Isle of the Dead, Vocalise (2022)
FLAC (tracks) 24 bit/96 kHz | Time – 01:07:14 minutes | 1,08 GB | Genre: Classical
Studio Masters, Official Digital Download | Front Cover | © Chandos
Rachmaninoff’s tone poem The Isle of the Dead was composed in Dresden in 1908 – 09, inspired by the 1880 painting of that name by the Swiss symbolist Arnold Böcklin. The painting depicts a ferryman rowing a coffin towards the Isle of the Dead, and Rachmaninoff, unusually setting the piece in five beats to the bar, captures the atmosphere and the motion of oars in the water in the most extraordinary detail. Dedicated to the outstanding Ukrainian-born coloratura soprano Antonina Vasilyevna Nezhdanova, the ‘Vocalise’ was first performed, by her with the composer, in January 1916. After creating a version with orchestral accompaniment, Rachmaninoff then produced the version heard here, for orchestra alone. Following the Russian revolution and his exile to the USA, the compositional output of Rachmaninoff declined dramatically. In great demand both as a virtuoso performer and as a conductor, he toured extensively, but struggled to incorporate ‘modern music’ into his compositional style. In the mid 1930s he acquired a holiday villa in Lucerne, and surprised the world with his ‘Paganini’ Rhapsody, quickly followed by the Third Symphony. Sinfonia of London and John Wilson demonstrate exceptional ensemble playing throughout, and their glowing string sound suits this repertoire perfectly.
Read moreJohn Wilson – Upon Further Reflection (2022)
FLAC (tracks) 24 bit/96 kHz | Time – 01:09:10 minutes | 1,13 GB | Genre: Classical
Studio Masters, Official Digital Download | Front Cover | © Avie Records
The dynamic young American pianist John Wilson first encountered Michael Tilson Thomas in 2015 when he was a fellow with the New World Symphony. John’s protégé status quickly evolved to that of close confidant and collaborator, leading to this solo debut album featuring the world-premiere recording of the title track, Michael Tilson Thomas’s three-movement Suite for piano, Upon Further Reflection. Tilson Thomas explains innumerable influences that are embedded throughout the work, including the piano music of Debussy and Schumann, bossa nova, gamelan, ragas, Monteverdi, Berg and Peggy Lee’s rendition of the song Alley Cat, all of which “flowed together in a way that seemed completely natural… to me anyway”. In 2019, John premiered a portion of Upon Further Reflection that was broadcast live on Medici.tv to an audience of over 50,000.
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Sinfonia of London & John Wilson – Hollywood Soundstage (2022)
FLAC (tracks) 24 bit/96 kHz | Time – 01:00:49 minutes | 1,05 GB | Genre: Classical
Studio Masters, Official Digital Download | Front Cover | © Chandos
Sinfonia of London and John Wilson present an album that celebrates the golden age of Hollywood. Sinfonia of London rose to fame in the 1950s as the leading recording orchestra of the day, appearing in the musical credits of more than 300 films, including the 1958 soundtrack by Bernard Herrmann for Hitchcock’s Vertigo. Reformed by John Wilson in 2018 as a recording orchestra, and made-up of some of London’s finest orchestral musicians, their first recording of Korngold’s Symphony in F# won the orchestral award from BBC music magazine, and drew critical acclaim worldwide. Korngold’s Overture from the private lives of Elizabeth and Essex which opens the programme is an excellent demonstration of his rich, chromatic sound-world that set a blue-print for the Hollywood sound and so many composers that followed. Although the songs were written by Harold Arlen, it was Herbert Stothart’s score for The Wizard of Oz that won the Oscar, and it is his suite from the movie that features here. There are also suites from Max Steiner’s Now, Voyager and Franz Waxman’s Rebecca (receiving here it’s premiere recording). Shorter pieces from David Raksin, Frederick Loewe, Johnny Mandel and Alfred Newman complete this rewarding programme.
Read moreBBC Scottish Symphony Orchestra, John Wilson – Bennett: Orchestral Works, Vol. 3 (2019)
FLAC (tracks) 24 bit/96 kHz | Time – 01:04:33 minutes | 1,06 GB | Genre: Classical
Studio Masters, Official Digital Download | Digital Booklet, Front Cover | © Chandos
Bennett had a gift for human relationships – family, partners, friends, and fellow artists. Occasionally, his personal loyalty could become an obstacle to his creativity but overwhelmingly, his relationships were an inspiration. Each of the four works recorded here has connections to a significant individual in his life. The composition of his First Symphony coincided with the arrival in his life of Dan Klein, who would become his long-term partner. Zodiac is dedicated to the composer Elisabeth Lutyens, whose music and personality Bennett cherished throughout his life, despite her often caustic manner. A History of the Thé Dansant sets poems by his older sister, the poet Meg Peacocke, and doubles as a perceptive but unsentimental memoir of their long-dead parents. And Reflections on a Sixteenth Century Tune is dedicated to the conductor John Wilson, with whom Bennett shared a musical connection that deepened into a true and lasting friendship.
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John Wilson, BBC Scottish Symphony Orchestra, Michael McHale – Bennett: Orchestral Works, Vol. 4 (2020)
FLAC (tracks) 24 bit/96 kHz | Time – 01:05:52 minutes | 1,06 GB | Genre: Classical
Studio Masters, Official Digital Download | Digital Booklet, Front Cover | © Chandos
In this fourth volume in their Richard Rodney Bennett series, John Wilson and the BBC Scottish Symphony Orchestra turn to his Piano Concerto, commissioned by the John Feeney Trust for the CBSO and written in 1968. A chance meeting with Stephen Kovacevich provided Bennett with a willing soloist, and the work was premiered in Birmingham in September that year. The fellow composer Anthony Payne’s judgement was unequivocal: ‘It’s a bloody good work.’ The soloist here, Michael McHale, gives a virtuosic performance which certainly lives up to that judgement.
(more…)
BBC Philharmonic Orchestra, John Wilson – Orchestral Works, Volume 1 (2019)
FLAC (tracks) 24 bit/96 kHz | Time – 01:10:39 minutes | 1,24 GB | Genre: Classical
Studio Masters, Official Digital Download | Digital Booklet, Front Cover | © Chandos
Eric Coates studied at the Royal Academy of Music under Frederick Corder (composition) and Lionel Tertis (viola), and played in string quartets and theatre pit bands before joining symphony orchestras conducted by Thomas Beecham and Henry Wood. His experience as a player added to the rigorous training which Coates had received at the academy and contributed to his skill as a composer. In 1919 he gave up the viola permanently and from then until his death made his living as a composer and occasional conductor. His prolific output includes the suite London (1932), of which the well-known march ‘Knightsbridge’ is the concluding movement, the waltz By the Sleepy Lagoon (1930), and The Dam Busters March (1954). The early compositions of Coates were influenced by the music of Arthur Sullivan and Edward German, but his style evolved in step with changes in musical taste, and his later works incorporate elements derived from jazz and dance-band music. His output consists almost wholly of orchestral music and songs. With the exception of one unsuccessful short ballet, he never wrote for the theatre, and only occasionally for the cinema. John Wilson has spent many years editing all the orchestral works of Coates, and will now be using these new editions for this cycle of recordings with the BBC Philharmonic.
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BBC Philharmonic Orchestra, John Wilson – Copland: Orchestral Works, Vol. 4 (2018)
FLAC (tracks) 24 bit/96 kHz | Time – 01:06:09 minutes | 1,15 GB | Genre: Classical
Studio Masters, Official Digital Download | Digital Booklet, Front Cover | © Chandos
‘I hope you will knuckle down to a good symphony’, wrote Samuel Barber in September 1944 to his fellow composer Aaron Copland: ‘We deserve it of you, and your career is all set for it.’ It was a strange thing to say given that Copland had already composed a variety of symphonies, albeit admittedly all more experimental than Barber might have preferred.
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John Wilson, BBC Philharmonic – Copland: Orchestral Works, Vol. 1 – Ballets (2016)
FLAC (tracks) 24 bit/96 kHz | Time – 01:19:22 minutes | 1,39 GB | Genre: Classical
Studio Masters, Official Digital Download | Digital Booklet, Front Cover | © Chandos
That Aaron Copland’s ballet ” Hear Ye! Hear Ye!”(1934), could be due to the rather dry subject: a trial for murder in a nightclub. “Appalachian Spring” with its scenes from rural Pennsylvania is more tranquil. His music, which programmatically evokes a new simplicity, has made this ballet a success. In ” Hear Ye!”on the other hand, there is” big city music ” to be heard with a number of references to contemporary light music, especially swing.
Huster and background noises suggest that the recordings from Detroit are concert recordings — which could explain that ” Hear Ye!”not everything is running smoothly and minor inaccuracies have crept in. There is little to complain about Slatkin’s interpretations, in which the gestural quality of the music has great weight, although Bernstein has kindled even more visionary fire in the “Appalachian Spring”.
With this ballet in the ear, the edgy modernist of the “Short Symphony” or the “Symphony for Organ and Orchestra”, oriented to the style of the French group “Les Six”, sound quite unexpected. Together with other symphonic works from Copland’s early creative period, including the rarely heard “Symphonic Ode”, John Wilson and the BBC Philharmonic have recorded these symphonies breathtakingly effective, colourful and bursting with energy. Electrifying the complex rhythm of the “Ode”, for example, which is confidently realized by Wilson. But the sinistre tone of the “Prelude” from the organ symphony is also excellent. The musicians are supported by a formidable sound technique.
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Onyx Brass, John Wilson – Fanfares (2018)
FLAC (tracks) 24 bit/96 kHz | Time – 58:59 minutes | 907 MB | Genre: Classical
Studio Masters, Official Digital Download | Front Cover | © Chandos
Among all the many Chandos brass recordings, each release having played a major role in the labels successful history, this one may well be the loudest.
In the vast acoustic of St Judes Church, London, rendered in surround-sound, and in the largest ensemble format to which it has ever expanded, Onyx Brass, under the energetic direction of John Wilson, brings together four dozen fanfares by fourteen British composers of the past century and a half.
Including works by Arnold, Bax, Bliss, Imogen Holst Ketèlbey, and Tippett with numerous premiere recordings, this album is an unmissable celebration of stirring, brilliant, joyous, exciting, varied, sometimes military, and always optimistic music.
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