John Eliot Gardiner – Verdi: Falstaff (Live) (2022)
FLAC (tracks) 24 bit/48 kHz | Time – 02:15:48 minutes | 1,30 GB | Genre: Classical, Opera
Studio Masters, Official Digital Download | Digital Booklet, Front Cover | © Dynamic
Falstaff is the only comic opera and the last opera in Verdi’s production. Verdi greeted the opera world with the sly smile of one who has experimented with everything to the fullest degree and still continues to do so. And of musical experimentation the score of Falstaff abounds.
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London Symphony Orchestra, John Eliot Gardiner – Mendelssohn: Symphonies Nos 1-5, Overtures, A Midsummer Night’s Dream (2018)
FLAC (tracks) 24 bit/96 kHz | Time – 04:36:00 minutes | 4,80 GB | Genre: Classical
Studio Masters, Official Digital Download | Front Cover | © LSO Live
LSO Live presents Sir John Eliot Gardiner’s award-winning Mendelssohn series together in its entirety for the first time. Captured over three seasons during critically-acclaimed concerts in the Barbican Hall, this box set offers listeners the definitive account of Gardiner’s unique take on Mendelssohn with the London Symphony Orchestra: a blend between the conductor’s wide-ranging expertise and the Orchestra’s signature sound.
The set includes celebrated interpretations of the complete Mendelssohn symphonies, as well as three of the composer’s most popular overtures and Gardiner’s landmark version of A Midsummer Night’s Dream, all in 24bit high-resolution audio.
Reflecting on this exploration of the great German composer with the LSO, Gardiner said: ‘My admiration for Mendelssohn has gone up enormously as a result of this project… It’s so rewarding working with this group of players; they’re willing to go to the last nth degree, in terms of phrasing and articulation, and that’s a joy.’
Read moreJohn Eliot Gardiner – Bach, J.S.: St. Matthew Passion, BWV 244 (2017)
FLAC (tracks) 24 bit/96 kHz | Time – 02:41:02 minutes | 2,64 GB | Genre: Classical
Studio Masters, Official Digital Download | Digital Booklet, Front Cover | © SDG
This stunning new live recording of Bach’s St. Matthew Passion (Matthauspassion BWV 244) was recorded in Pisa Cathedral during the Anima Mundi Festival as part of the Monteverdi Choir and Orchestra’s 2016 tour. Conducted by Sir John Eliot Gardiner, the brilliant cast includes James Gilchrist as the Evangelist and Stephan Loges as Jesus. The Trinity Boys Choir adds an exciting color to this recording as well. The Monteverdi Choir was founded by Sir John Eliot Gardner in 1964. The ensemble’s first performance was the Monteverdi Vespers in King’s College Chapel, Cambridge. The group has become known worldwide for their stylistic conviction and their ability to perform an extensive repertoire, from Renaissance motets to Classical music of the Twentieth Century.
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John Eliot Gardiner – Brahms: Symphony No. 3 (2009)
FLAC (tracks) 24 bit/48 kHz | Time – 01:10:24 minutes | 682 MB | Genre: Classical
Studio Masters, Official Digital Download | Digital Booklet, Front Cover | © SDG
Soli Deo Gloria is proud to release the third instalment in the successful Brahms Symphony series which sees John Eliot Gardiner and his Orchestre Révolutionnaire et Romantique explore the music of Johannes Brahms.
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Viktoria Mullova, Orchestre Révolutionnaire et Romantique, John Eliot Gardiner – Beethoven & Mendelssohn Violin Concertos (2003)
PS3 Rip | SACD ISO | DST64 2.0 & 5.1 > 1-bit/2.8224 MHz | 68:00 minutes | Basic Scans included | 3,37 GB
or FLAC 2.0 Stereo (converted with foobar2000 to tracks) 24bit/88,2 kHz | Basic Scans included | 1,23 GB
Features Stereo and Multichannel Surround Sound / Phillips # 470 629-2
Viktoria Mullova and John Eliot Gardiner: Mullova, a strong-toned, intense, and very virtuosic Russian violinist living in the West, an individualist without a trace of idiosyncrasy and a expressivist without a trace of sentimentality, and Gardiner, a superb proponent of period instruments who’s out of his depths with passionate expressivity, an excellent exponent of Handel and Bach who’s over his head with Beethoven or Berlioz, a conducting collection of idiosyncrasies passing himself off as an interpreter and an amateur passing himself off as an individualist.
Read moreViktoria Mullova, Orchestre Révolutionnaire et Romantique, John Eliot Gardiner – Beethoven, Mendelssohn: Violin Concertos (2003/2012)
FLAC (tracks) 24 bit/96 kHz | Time – 01:08:15 minutes | 1,30 GB | Genre: Classical
Studio Masters, Official Digital Download | Front Cover | © Decca Music Group Ltd.
Viktoria Mullova and John Eliot Gardiner: Mullova, a strong-toned, intense, and very virtuosic Russian violinist living in the West, an individualist without a trace of idiosyncrasy and a expressivist without a trace of sentimentality, and Gardiner, a superb proponent of period instruments who’s out of his depths with passionate expressivity, an excellent exponent of Handel and Bach who’s over his head with Beethoven or Berlioz, a conducting collection of idiosyncrasies passing himself off as an interpreter and an amateur passing himself off as an individualist. What could they have to say to each other? At least in this 2002 recording of the Beethoven and Mendelssohn violin concertos, the answer is: nothing good. Mullova is reserved, restrained, and almost reluctant, her tone contracted, her intensity constrained, and her virtuosity constricted. Gardiner leads the Orchestre Revolutionnaire et Romantique in an instrumentally colorful but ultimately lax and soporific accompaniment. Together, Mullova and Gardiner turn in a pair of tepid and timid performances with only Mullova’s fiery and passionate performances of Ottavio Dantone’s cadenzas to the Beethoven concerto to make the disc worth hearing. Philips’ sound is a little too reverberant and oddly empty. –James Leonard, AllMusic
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Monteverdi Choir, John Eliot Gardiner – Johann Sebastian Bach : Motets (2012)
FLAC (tracks) 24 bit/48 kHz | Time – 01:12:27 minutes | 724 MB | Genre: Classical
Studio Masters, Official Digital Download | Digital Booklet, Front Cover | © SDG
Thirty years on from their acclaimed recording for Erato, Sir John Eliot Gardiner and the Monteverdi Choir return to the Bach Motets in a new SDG recording, taken from a concert in London last year at the end of a tour which saw performances in Italy, France, The Netherlands and Germany.
The Motets can be seen as some of Bach’s most perfect and hypnotic compositions. Through their extraordinary complexity and density, they require exceptional virtuosity and sensitivity of all the performers.
Each of them is endlessly fascinating, and each inhabits its own sound world, Bach’s masterful use of canon, fugue and counterpoint, the brilliant exploitation of double-choir sonorities are perfectly matched by the Monteverdi Choir’s virtuosity.
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Title: Monterverdi Choir, English Baroque Soloists, John Eliot Gardiner – Handel: Semele
Release Date: 2021
Genre: Baroque oratorio
Production/Label: EuroArts
Duration: 02:48:37
Quality: Blu-ray
Container: BDMV
Video codec: H.264
Audio codec: DTS, PCM
Video: MPEG-4 AVC Video / 28929 kbps / 1080i / 29.970 fps / 16:9 / High Profile 4.1
Audio #1: LPCM Audio / 2.0 / 48 kHz / 2304 kbps / 24-bit
Audio #2: DTS-HD Master Audio / 5.1 / 48 kHz / 4301 kbps / 24-bit (DTS Core: 5.1 / 48 kHz / 1509 kbps / 24-bit)
Subtitles: English, German, Japanese, Korean
Size: 44.4 GB
In Spring 2019, the Monteverdi Choir and English Baroque Soloists, led by John Eliot Gardiner, presented a critically-acclaimed European tour of Handel’s opera ‘Semele’, including Alexandra Palace Theatre in London, where this live recording took place. Semele had not been performed by John Eliot Gardiner and the Monteverdi ensembles since they originally recorded it in the 1980s and this recording gives listeners the chance to hear a fuller version of the work.
A glamorous team of young soloists joins the Monteverdi ensembles to bring the story of Semele to life, including celebrated English soprano Louise Alder, who takes on the title role, with the young tenor Hugo Hymas portraying the amorous Jupiter.
– “A better interpretation can hardly be found”. – (El Punt Avui)
– “The greatest pleasure of the evening was generated by the wonderfully clear and rhythmically alert singing of the Monteverdi Choir” – (Rupert Chistiansen, – ???? The Telegraph)
– “The Monteverdi Choir was in scintillating form and captivating in its ability to give meaning to every word, every syllable” – (Laurent Bury – Forum Opera)
– “The show is a revelation” – (Biagio Scuderi – Amadeus)
– “Under the precise direction of Sir John Eliot Gardiner, the sound of the English Baroque soloists is lush, round and sharp” – (Frédérique Epin – Olyrix)
– “Semele’s score is a glorious mix of irresistible solo arias – some virtuosic, some lyrical, sensual and evocative, ensembles, duets, accompanied recitatives and (unlike his operas) imposing choruses. Even more so than when I first heard it nearly forty years ago, I feel that Semele’s time has finally come.” – (John Eliot Gardiner)
“The greatest joy of the evening was generated by the wonderfully crisp and rhythmically alert singing of the Monteverdi Choir” Rupert Chistiansen – ★★★★ The Telegraph
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