Jean-Guihen Queyras, Orchestre Philharmonique Du Luxembourg & Gustavo Gimeno – Dutilleux: Tout un monde lointain – Symphony No. 1 – Métaboles (2024)
FLAC (tracks) 24 bit/192 kHz | Time – 01:18:32 minutes | 2,49 GB | Genre: Classical
Studio Masters, Official Digital Download | Front Cover | © harmonia mundi
The symphonic universe of Henri Dutilleux is a fascinating one. Mysterious and poetic, always remarkably expressive, his music explores the thousand and one colours of the orchestra with unique mastery. Gustavo Gimeno and the Luxembourg Philharmonic give us a flamboyant reading of three masterpieces from the composer’s first creative period, showcasing the superb cello playing of Jean-Guihen Queyras in Tout un monde lointain.
Read moreRaphaël Imbert, Jean-Guihen Queyras, Pierre-François Blanchard, Sonny Troupé – Invisible Stream (2022)
FLAC (tracks) 24 bit/96 kHz | Time – 01:00:54 minutes | 1,14 GB | Genre: Jazz
Studio Masters, Official Digital Download | Digital Booklet, Front Cover | © harmonia mundi
“Invisible Stream”: the “unseen currents” are those that connect people and musical works by transcending styles or customary aesthetic and cultural boundaries. A feast of poetic expression organized by four key representatives of both the classical and jazz music scenes of today, this recording initiates a dialogue – motivated by the purest spirit of improvisation – between the compositions of Raphaël Imbert and those of Schubert, Wagner, and Ornette Coleman.
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Isabelle Faust, Anne-Katharina Schreiber, Antoine Tamestit, Jean-Guihen Queyras, Alexander Melnikov – Schumann: Piano Quartet – Piano Quintet (2023)
FLAC (tracks) 24 bit/192 kHz | Time – 54:40 minutes | 1,92 GB | Genre: Classical
Studio Masters, Official Digital Download | Front Cover | © harmonia mundi
In his Piano Quartet and Quintet, Schumann revisited the frameworks inherited from Schubert and Beethoven to create astonishingly innovative structures. Their grandiose musical and emotional gestures place these works among his supreme achievements. The prestigious artists assembled here, with their extensive experience of performing Schumann’s chamber music and concertos, do full justice to his imaginative world.
Read moreJean-Guihen Queyras, Alexander Melnikov – Chopin, Rachmaninoff: Cello Sonatas (2022)
FLAC (tracks) 24 bit/96 kHz | Time – 01:03:08 minutes | 1,02 GB | Genre: Classical
Studio Masters, Official Digital Download | Front Cover | © harmonia mundi
After Beethoven, Alexander Melnikov and Jean-Guihen Queyras now turn to two more giants of the repertory. Chopin’s Cello Sonata, his last work published in his lifetime, seems almost like a testament, sombre and tormented – a world away from the radiance and surging lyricism of the youthful work by Rachmaninoff that it inspired. These two masterpieces by composers from the two chronological extremities of Romanticism, both pianists above all, are ideally placed in perspective here.
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Midori, Martin Grubinger, Jean-Guihen Queyras, Orchestre philharmonique de Radio France, Peter Eötvös – Eötvös: DoReMi, Speaking Drums & Cello concerto grosso (2016)
FLAC (tracks) 24 bit/48 kHz | Time – 01:11:02 minutes | 720 MB | Genre: Classical
Studio Masters, Official Digital Download | Front Cover | © Alpha Classics
In November 2014, Radio France inaugurated its new auditorium with a programme giving carte blanche to one of the most eminent composers of our time, Peter Eötvös, who was then celebrating his seventieth birthday. On this occasion, three of his concertos were given their world premiere recordings under his direction with three soloists of the front rank. The violin concerto DoReMi, played here by its dedicatee Midori, is followed by Cello Concerto Grosso, a triangular dialogue between the solo cello, the cello section, and the full orchestra. The spectacular Speaking Drums concludes the programme on a highpoint: the orchestra (around forty musicians) prolongs the performance – theatrical as much as musical – of the percussionist, who declaims texts by the poets Sándor Weöres (in Hungarian) and Jayadeva (in Sanskrit) and moves from point to point on the platform, thus creating links with various instruments of the orchestra. The stunning Martin Grubinger lends his voice and his percussion playing to this piece, which ends in highly virtuosic polyrhythm.
Read moreJean-Guihen Queyras, Sokratis Sinopoulos, Bijan Chemirani, Keyvan Chemirani – Thrace (Sunday morning Sessions) (2016)
FLAC (tracks) 24 bit/88,2 kHz | Time – 01:03:07 minutes | 1,12 GB | Genre: Classical
Studio Masters, Official Digital Download | Digital Booklet, Front Cover | © harmonia mundi
The ancient Indo-European civilization of Thrace was adventurous, inquisitive and open to exchange with other cultures. These key principles of the Thracians serve as a beautiful metaphor for this ensemble featuring cellist Jean-Guihen Queyras. From the captivating percussion of the Chemirani brothers (who grew up alongside Queyras on the hillsides of Provence) to the magical lyra of Sokratis Sinopoulos, these Sunday morning sessions open gateways into undiscovered musical worlds. Here contemporary exploration, improvisation and the traditional music of the Mediterranean converge in one powerful and irresistible spirit.
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Jean-Guihen Queyras, Atlas Ensemble, Ed Spanjaard – Joël Bons: Nomaden (2019)
FLAC (tracks) 24 bit/96 kHz | Time – 01:01:35 minutes | 1,05 GB | Genre: Classical
Studio Masters, Official Digital Download | Digital Booklet, Front Cover | © BIS
Bons composed Nomaden for Queyras and the Atlas Ensemble – a group he himself founded in 2002, made up of 18 eminent musicians from China, Japan, Central Asia, the Middle East and Europe. From the Japanese shakuhachi and Chinese erhu to the Armenian duduk and the Persian setar, the scoring offers an untold number of combinations and an unheard spectrum of timbres. Nomaden was premièred by these performers in 2016, under the baton of Ed Spanjaard, and has been awarded the prestigious 2019 Grawemeyer Award for Music Composition.
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Jean-Guihen Queyras, Alexander Melnikov – Beethoven: Complete Works for Violoncello and Piano (2014)
FLAC (tracks) 24 bit/96 kHz | Time – 02:18:41 minutes | 2,23 GB | Genre: Classical
Studio Masters, Official Digital Download | Digital Booklet, Front Cover | © harmonia mundi
There are curiously few complete cycles of Beethoven’s five sonatas for cello and piano, given that the five, unlike the violin sonatas, were almost equally distributed among the composer’s early, middle, and late periods, and that each one was in its way a formally daring work. The last two sonatas in particular, with their mysteriously lyrical third relations and compact finales, fugal in the case of the Cello Sonata No. 5 in D major, Op. 102/2, might be regarded as having inaugurated Beethoven’s late period. Cellist Jean-Guihen Queyras and pianist Alexander Melnikov (here playing a modern piano unlike on the trio recording the pair made with violinist Isabelle Faust) have an efficient, quick, tough style that beautifully fits these late sonatas. They do well in the two sonatas of Op. 5, not trying to impose an artificial shape on what must have been at the time shockingly long opening movements. The Cello Sonata No. 3 in A major, Op. 69, might want a bit more broad middle-period sweep and lyricism, but you get several bonuses here: a trio of variations for cello and piano from the years around 1800 that are almost never played, and uncannily direct sound from Harmonia Mundi, working in Berlin’s Teldex Studios. A worthy Beethoven cello set in every way.
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Jean-Guihen Queyras, Alexandre Tharaud – Complices (2019)
FLAC (tracks) 24 bit/96 kHz | Time – 01:03:39 minutes | 1,08 GB | Genre: Classical
Studio Masters, Official Digital Download | Digital Booklet, Front Cover | © harmonia mundi
Friends and frequent recital partners Jean-Guihen Queyras and Alexandre Tharaud are reunited here for an album conceived as a collection of short stories, presenting both celebrated and little-known masterpieces of the repertory. If the art of transcription is the hallmark of great performers, it must be said that our two partners are past masters at it! Throughout this lyrical yet virtuosic programme, music lovers will meet one surprise after another.
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Jean-Guihen Queyras, Alexandre Tharaud – Brahms: Cello Sonatas & Hungarian Dances (2018)
FLAC (tracks) 24 bit/96 kHz | Time – 01:11:28 minutes | 1,16 GB | Genre: Classical
Studio Masters, Official Digital Download | Digital Booklet, Front Cover | © Warner Classics
Pianist Alexandre Tharaud and cellist Jean-Guihen Queyras are long-established as a duo team, but this is the first time that Queyras has joined Tharaud for an Erato recording. They have chosen works that lie at the heart of the Romantic repertoire, all by Brahms: his two cello sonatas and the duo’s own transcriptions of six of the Hungarian Dances.
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Jean-Guihen Queyras, Ensemble Resonanz, Riccardo Minasi – C.P.E. Bach: Cello Concertos (2018)
FLAC (tracks) 24 bit/48 kHz | Time – 53:04 minutes | 548 MB | Genre: Classical
Studio Masters, Official Digital Download | Digital Booklet, Front Cover | © harmonia mundi
After two albums which met with unanimous critical acclaim all over the world, the Resonanz Ensemble, based in Hamburg, is offering a recording dedicated to Carl Philipp Emanuel Bach: the Cello Concertos wq. 170 and Wq. 172, respectively from 1750 and 1753, and the Symphonie Wq. 173 of 1741. The listener will immediately note the radical difference in language between the two concertos, written after the death of Bach Senior, and the Symphony, written while he was still alive: the concertos keep their eyes firmly fixed on the nascent classical era, including the “Sturm und Drang” which still lay ahead (in this regard, the Concerto in A Minor which opens the album, full of force and melodic power, is an excellent example), whereas the Symphony takes the final throes of baroque as its point of departure. Cellist Jean-Guihen Queyras and the Resonanz Ensemble offer a crystal-clear reading, conducted by their new musical director in residence, violinist Riccardo Minasi: and coolly resist the vogue – which can be quite intrusive, or even dictatorial or exclusive – for period instruments, which seems to hold that any music before Mozart (and even sometimes Mozart too) may not be played on modern instruments. Queyras, Resonanz and Minasi are all able to make use of stylistic elements gleaned from the fashion for baroque. This is a very fine album, superbly played, which really brings out all the originality of Carl Philipp Emanuel Bach.
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Jean-Guihen Queyras, Alexandre Tharaud – Marin Marais: Folies d’Espagne, La Rêveuse & Other Works (2023)
FLAC (tracks) 24 bit/192 kHz | Time – 01:02:11 minutes | 2,03 GB | Genre: Classical
Studio Masters, Official Digital Download | Digital Booklet, Front Cover | © harmonia mundi
A challenge! Twenty years after his harmonia mundi recordings reviving the tradition of performing the great French harpsichord composers (Rameau, Couperin) on the piano, Alexandre Tharaud now joins forces with his longstanding partner Jean-Guihen Queyras to explore the works of Marin Marais . . . on piano and cello! Drawing on their respective experiences in Baroque music, the two artists have taken up the challenge of presenting the essence of the master of the viola da gamba: timeless, even universal!
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