Jean-Efflam Bavouzet – Debussy: 12 Etudes (2005) [Japan]
SACD Rip | SACD ISO | DST64 2.0 & 5.0 > 1-bit/2.8224 MHz | 70:01 minutes | Front/Rear Covers | 3,38 GB
or DSD64 2.0 Stereo (from SACD-ISO to Tracks.dsf) > 1-bit/2.8224 MHz | Front/Rear Covers | 1,59 GB
or FLAC Stereo (converted with foobar2000 to tracks) 24bit/88,2 kHz | Front/Rear Covers | 1,18 GB
Features Stereo and Multichannel Surround Sound | Label: Octavia Records Japan # OVCT-00024
After a series of popular and award-winning recordings running over a wide range of the piano repertoire, Jean-Efflam Bavouzet is a well-known name in the piano lover’s world. But back in the 90’s, Bavouzet was just a name on a little known Japanese label specializing in piano music. The Études as presented here by Bavouzet are marvels of musical insight and control. Debussy’s studies of tone and rhythm are brought to life with understated virtuosity. Bavouzet plays with great subtlety and fluency and the results are completely engaging. The Children’s Corner is equally compelling. An entrancing creation of swirling colours and emotions, at no stage does Bavouzet allow Debussy’s whimsical setting for this collection of musical tableaux to become cloying or distracting. Also on this disc presented other Debussy’s works as Page d’album, Berceuse héroïque, La plus que lente, and Elégie. As with the Etudes, the recorded sound of the piano is miraculously good. The recording was made in 1996 but not released by the Japanese label, Octavia Records, until 2005. This perhaps explains its obscurity relative to Bavouzet’s more recent recordings of the same material.
Read moreJean-Efflam Bavouzet, Manchester Camerata & Gábor Takács-Nagy – Mozart Piano Concertos 11, 12, & 13 (2024)
FLAC (tracks) 24 bit/96 kHz | Time – 01:18:38 minutes | 1,23 GB | Genre: Classical
Studio Masters, Official Digital Download | Front Cover | © Chandos
The three concertos featured on this album were composed together in 1782 / 83 – shortly after Mozart had left his patron and position in Salzburg to establish himself as a freelance composer and performer in Vienna. The concertos were all performed by the composer in a series of subscription concerts that he gave in the city. All share the same form – opening movement in sonata form, slow movement in ternary form, and a bright rondo finale. Despite these similarities, though, each piece has its own distinct character and identity; such was the extent of Mozart’s genius for invention. Although formally scored for strings with wind, horns, trumpets, and timpani, Mozart also offered them to his publisher to be performed ‘a quatro’ – for strings only. These would be the last concertos he wrote in which this would be possible, and it is certainly likely that it reflected a need to earn greater income as opposed to being a purely artistic decision. As in the rest of this series, Jean-Efflam Bavouzet is joined by the Manchester Camerata and Gábor Takács-Nagy, who open the album with a dazzling performance of the Overture to Die Entführung aus dem Serail, which dates from the same period.
Read moreJean-Efflam Bavouzet, Manchester Camerata & Gábor Takács-Nagy – Mozart: Piano Concertos Vol. 8 (2023)
FLAC (tracks) 24 bit/96 kHz | Time – 01:15:26 minutes | 1,22 GB | Genre: Classical
Studio Masters, Official Digital Download | Front Cover | © Chandos
Volume 8 of Jean-Efflam Bavouzet’s survey of Mozart’s piano concertos with Gábor Takács-Nagy and Manchester Camerata features two late concertos – Nos 26 and 27 – along with the overtures to Così fan tutte, Die Zauberflöte (The Magic Flute), and La clemenza di Tito. Concerto No. 26, the ‘Coronation’, was completed in 1788, premièred in Dresden, and then played at the coronation of Leopold II as Holy Roman Emperor, in Frankfurt, on 15 October 1790. As Mozart did not prepare the score for publication, large sections of the left hand were left blank in the manuscript score. It’s not known who created the part for the first printed edition, although this has been widely accepted ever since. Jean-Efflam Bavouzet has created his own version for this recording. Mozart premièred his final piano concerto, No. 27, in Vienna on 4 March 1791, in his last public performance. The album was recorded in Manchester’s Stoller Hall, Bavouzet playing a Yamaha CFX nine-foot Concert Grand Piano.
Read moreJean-Efflam Bavouzet, Adam Walker, BBC Philharmonic & Yan Pascal Tortelier – Pierre Sancan: A Musical Tribute (2023)
FLAC (tracks) 24 bit/96 kHz | Time – 01:13:21 minutes | 1,13 GB | Genre: Classical
Studio Masters, Official Digital Download | Front Cover | © Chandos
Pierre Sancan was a tremendously influential figure in French musical life, as a composer, pianist, teacher, and conductor, but remains relatively unknown outside France. Born in Mazamet, in 1916 – the same year as Dutilleux – he received his early musical training in Morocco and, later, Toulouse. He entered the Paris Conservatoire in 1934 where he studied with Jean Gallon, conducting with Charles Munch and Roger Désormière, piano with Yves Nat, and composition with Henri Busser. He won the Prix de Rome in 1943, and eventually joined the staff in 1956, teaching there until his retirement, in 1985. A list of his piano students reads like a who’s who of French pianists and includes Michel Béroff, Jean-Bernard Pommier, Daniel Varsano, Jacques Rouvier, Jean-Philippe Collard, and Jean-Efflam Bavouzet. Yan Pascal Tortelier, whilst not a direct student of Sancan, attended the Paris Conservatoire while he taught there, and remembers his influence: ‘of course through his extraordinary pianistic imagination but even more so by his physical allure and overwhelming personality’. This programme of the Piano Concerto, orchestral works, works for solo piano, and the flute Sonatine (played by Adam Walker) serves as a personal tribute to Sancan from both pianist and conductor, who very much hope that it will help to raise awareness of this gifted composer and his music.
Read moreSwedish Chamber Orchestra, Jean-Efflam Bavouzet – Beethoven: Piano Concertos (2020)
FLAC (tracks) 24 bit/96 kHz | Time – 03:08:59 minutes | 2,76 GB | Genre: Classical
Studio Masters, Official Digital Download | Digital Booklet, Front Cover | © Chandos
Following his acclaimed recording of sonatas by contemporaries of Beethoven, Jean-Efflam Bavouzet further celebrates the great composer’s anniversary year with this set of the complete Piano Concertos.
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Jean-Efflam Bavouzet – The Beethoven Connection, Vol. 1 (2020)
FLAC (tracks) 24 bit/96 kHz | Time – 01:22:32 minutes | 1,26 GB | Genre: Classical
Studio Masters, Official Digital Download | Digital Booklet, Front Cover | © Chandos
In the 250th Beethoven anniversary year, Jean-Efflam Bavouzet has chosen this programme of works by contemporary composers to illuminate and contextualise Beethoven’s extraordinary output for piano. In his explanatory note for the album, the pianist writes: ‘Just as a mountain peak is always surrounded by other perhaps less lofty but no less fascinating summits, the major works of Beethoven are not isolated rock formations rising from the desert, but, as it were, “Himalayas”, forming part of a range in which other mountains might be the best pieces by contemporaries such as Clementi, Hummel, Dussek, and Wölfl. These composers all knew Beethoven well and were in contact with one another. It is essential to know and to make known their music in order better to understand and more thoroughly appreciate the lingua franca of the music of the time, which in turn is part and parcel of the “spirit of the age”, and to be aware of that which unites them, as well as to recognise that which differentiates them and renders each unique. In this year of plentiful Beethovenian commemorations, it appears to me natural, indeed essential, to pay admiring and enthusiastic homage to these composers, each of whom, in his own way, followed his route to the summit.’
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Jean-Efflam Bavouzet – Prokofiev: Piano Concertos Nos. 1-5 (2014)
FLAC (tracks) 24 bit/96 kHz | Time – 02:01:34 minutes | 1,44 GB | Genre: Classical
Studio Masters, Official Digital Download | Digital Booklet, Front Cover | © Chandos
Jean-Efflam Bavouzet performs all five of Prokofiev’s formidable piano concertos in partnership with Gianandrea Noseda conducting the BBC Philharmonic.
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Jean-Efflam Bavouzet, Manchester Camerata, Gábor Takács-Nagy – Mozart: Piano Concertos, Vol. 4 (2019)
FLAC (tracks) 24 bit/96 kHz | Time – 01:05:08 minutes | 1,06 GB | Genre: Classical
Studio Masters, Official Digital Download | Digital Booklet, Front Cover | © Chandos
This third volume in the series from the electrifying combination of Jean-Efflam Bavouzet and Manchester Camerata under Gabor Takacs-Nagy explores the final two of the six piano concertos of the year 1784, on which Mozart staked his reputation as both a performer and composer. Alongside these works features the pioneering Quintet for Piano and Winds, also from 1784, the first written for this combination of instruments and a work which Mozart regarded as his finest to date. The consecutive Kochel numbers of the three piano works hint at a remarkable story: not only were they all written in the same extraordinarily productive year, but all were completed in the same month, March, when Mozart was just twenty-eight years old. The two concertos form a pair, and in letters to his father Mozart makes it clear that he wrote them for his own performance: Nobody but I owns these new concertos in B flat and D, adding in another letter, two weeks later, I consider them both to be concertos which make one sweat. Heard in this context, Bavouzets playing is all the more astonishing.
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Jean-Efflam Bavouzet, Manchester Camerata, Gábor Takács-Nagy – Mozart: Piano Concertos, Vol. 3 (2018)
FLAC (tracks) 24 bit/96 kHz | Time – 01:11:03 minutes | 1,14 GB | Genre: Classical
Studio Masters, Official Digital Download | Digital Booklet, Front Cover | © Chandos
This third volume in the series from the electrifying combination of Jean-Efflam Bavouzet and Manchester Camerata under Gábor Takács-Nagy explores the final two of the six piano concertos of the year 1784, on which Mozart staked his reputation as both a performer and composer. Alongside these works features the pioneering Quintet for Piano and Winds, also from 1784, the first written for this combination of instruments and a work which Mozart regarded as his finest to date.
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Jean-Efflam Bavouzet, Manchester Camerata, Gábor Takács-Nagy – Mozart: Orchestral Works (2020)
FLAC (tracks) 24 bit/96 kHz | Time – 02:05:12 minutes | 2,10 GB | Genre: Classical
Studio Masters, Official Digital Download | Digital Booklet, Front Cover | © Chandos
Jean-Efflam Bavouzet’s acclaimed series of piano concertos by Mozart reaches its fifth instalment. Concertos Nos. 5, 6, 8, and 9 are complemented by the overtures to Il sogno di Scipione, Lucio Silla, La finta giardiniera, Il re pastore, and Zaide.
That all of these works were composed by Mozart between the ages of fifteen and twenty-five serves as a vivid reminder of his unique talents as a child prodigy: these are not childhood efforts but mature works. The Fifth Concerto was actually Mozart’s first, as Nos 1 – 4 are arrangements of works by other composers. As in the previous volumes, Bavouzet is partnered by Manchester Camerata and Gábor Takács-Nagy, all recorded in The Stoller Hall in Manchester.
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Jean-Efflam Bavouzet – Jean-Efflam Bavouzet Plays Haydn Piano Concertos (2014/2021)
FLAC (tracks) 24 bit/96 kHz | Time – 01:00:28 minutes | 1007 MB | Genre: Classical
Studio Masters, Official Digital Download | Front Cover | © Chandos
Of the profusion of Haydn keyboard sonata recordings that have appeared in the 21st century, the modern-piano versions by French pianist Jean-Efflam Bavouzet came almost out of nowhere and have been regarded as among the very best. Bavouzet’s Haydn is almost preternaturally alert to detail at both the micro and macro levels; he can both make listeners laugh out loud and marvel at the intricacies of Haydn’s movement structure in even little-known works. The question was whether Bavouzet could do it again in Haydn’s three keyboard concertos, little-known works in which, in lesser recordings, the composer seemed unmoved by the dramatic quality intrinsic to the concerto form. The answer is that Bavouzet is as brilliant as ever, and he has essentially rewritten the book on these pieces. He nails the madcap humor of the folkish finale of the Piano Concerto in G major, Hob. 18/4, and the harmonic density of the slow movements. He also brings together the opening movements, the way they deepen from almost inconsequential material, in a way that perhaps no one else has done before. It gives the effect of a kind of mind meld, and Bavouzet is accompanied with extreme agility by the Manchester Camerata under Gábor Takács-Nagy. Superior Haydn.
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Jean-Efflam Bavouzet – Haydn: Piano Sonatas, Vol. 9 (2021)
FLAC (tracks) 24 bit/96 kHz | Time – 01:12:13 minutes | 1,10 GB | Genre: Classical
Studio Masters, Official Digital Download | Digital Booklet, Front Cover | © Chandos
Following his acclaimed recording of Beethoven’s Concertos with the Swedish Chamber Orchestra, Jean-Efflam Bavouzet returns to his exploration of Haydn’s Sonatas, described by the magazine Gramophone as “a major modern recording landmark in the Haydn discography”.
As in previous instalments, Bavouzet has programmed sonatas from Haydn’s early, middle, and late periods, giving added interest to the recital. Sonatas No. 10 and No. 2, dating from the 1750s and ’60s respectively, share the key of C major, but differ in form. The short No. 2 was almost certainly written for pupils whilst Haydn was working as a teacher. No. 10 is more ambitious and extensive.
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Jean-Efflam Bavouzet – Haydn: Piano Sonatas, Vol. 8 (2019)
FLAC (tracks) 24 bit/96 kHz | Time – 01:10:09 minutes | 1,09 GB | Genre: Classical
Studio Masters, Official Digital Download | Digital Booklet, Front Cover | © Chandos
After leaving the boys’ choir of St Stephens Cathedral in Vienna, one of the ways the young Haydn found to support himself was as a harpsichord teacher. The three early sonatas featured on this recording were almost certainly intended for his students: short, light pieces with few technical demands. The two larger sonatas, both in the key of E flat major, were written some twenty years later and are far more extensive. Both require significantly greater prowess from the performer, and represent Haydn’s ingenuity and skill to the full.
The two additional works included here, whilst single-movement compositions, are substantial pieces. The Adagio ma non troppo would become the slow movement of Piano Trio No. 36, whilst the Variations on ‘Gott erhalte’ is based on the second movement of the ‘Emperor’ Quartet (Op. 76 No. 3), which is itself a set of variations on an anthem composed by Haydn at the request of an Austrian politician for the 29th birthday of the Emperor, and intended as a patriotic hymn comparable to ‘God Save the King’ in England – and a response against the Marseillaise.
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Jean-Efflam Bavouzet – Bavouzet Plays Schumann (2019)
FLAC (tracks) 24 bit/96 kHz | Time – 01:14:26 minutes | 1,12 GB | Genre: Classical
Studio Masters, Official Digital Download | Digital Booklet, Front Cover | © Chandos
Following his recent acclaimed recordings of Haydn and Beethoven Sonatas, Jean-Efflam Bavouzet turns from the Classical to the Romantic era, and the works of Schumann. The programme is built around the Grand Sonata (no.3). This impressive, large-scale work was originally composed in 1834, later revised in 1853 and eventually premiered (6 years after the composer’s death) by Schumann’s young protégé Johannes Brahms. Jean-Efflam first discovered the work though a recording by Vladimir Horovitz in the 1980s, and got to play it to and discuss the work with Horowitz in Paris in 1985. Like Horovitz before him, Jean-Efflam combines elements from both the original and revised versions of the work on this recording. Bavouzet has chosen to couple this with another early work – the “Faschinsschwank aus Wein” – and then the much later work the “Drei Fantasiestücke”. He closes with the ‘Gesange der Frühe’ which were among the last compositions that Schumann wrote before his attempted suicide and incarceration in February 1854. As always with Jean-Efflam Bavouzet’s albums, the booklet features an insightful personal note by the performer.
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