Fabio Di Casola – Serenade – Songs For Clarinet (2013/2019)
FLAC (tracks) 24 bit/44,1 kHz | Time – 01:02:03 minutes | 549 MB | Genre: Classical
Studio Masters, Official Digital Download | Digital Booklet, Front Cover | © Sony Classical
A native of Lugano, in Switzerland, Fabio Di Càsola won First Prize at the “Concours International d’Exécution Musicale de Genève” in 1990 at 23 years old. Since then, he has performed across the world. He is regularly invited by prestigious festivals and is winner of the Grand Prix Patek Philippe, the “Prix Suisse” for Contemporary Music and the Stresa International Competition for Contemporary Music.
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Ophélie Gaillard, Louis Schwizgebel-Wang, Fabio Di Càsola – Brahms: Cello Sonatas (2013)
FLAC (tracks) 24 bit/88,2 kHz | Time – 01:15:30 minutes | 1,03 GB | Genre: Classical
Studio Masters, Official Digital Download | Digital Booklet, Front Cover | © Aparté
Brahms’s important output of 24 chamber scores dominated the second half of the 19th century, as that of Beethoven had dominated the first half. His corpus was thus a response to that of Beethoven, his model, and to that of Mendelssohn, who was likewise born in Hamburg and also composed two cello sonatas. In 1890, aged only 57, Brahms resolved to give up composing but he had reckoned without the inspiration that his meeting with the Meiningen clarinetist Richard Mühlfeld was to have on his creative imagination. He subsequently added four scores for clarinet to his output, including this Trio Op. 114.
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Ophélie Gaillard, Louis Schwizgebel-Wang, Fabio Di Casola – Brahms {5.1 Edition} (2013)
FLAC (tracks) 5.1 Surround 24 bit/88,2 kHz | Time – 01:15:30 minutes | 2,73 GB | Genre: Classical
Studio Masters, Official Digital Download | Front Cover | © Aparté
Brahms’s important output of 24 chamber scores dominated the second half of the 19th century, as that of Beethoven had dominated the first half. His corpus was thus a response to that of Beethoven, his model, and to that of Mendelssohn, who was likewise born in Hamburg and also composed two cello sonatas. In 1890, aged only 57, Brahms resolved to give up composing but he had reckoned without the inspiration that his meeting with the Meiningen clarinetist Richard Mühlfeld was to have on his creative imagination. He subsequently added four scores for clarinet to his output, including this Trio Op. 114.
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