Julie Fuchs, Enrique Mazzola – Mademoiselle (2019) [Official Digital Download 24bit/96kHz]

Julie Fuchs, Enrique Mazzola – Mademoiselle (2019)
FLAC (tracks) 24 bit/96 kHz | Time – 01:01:52 minutes | 1,08 GB | Genre: Classical
Studio Masters, Official Digital Download | Front Cover | © Deutsche Grammophon (DG)

Julie Fuchs releases her second album on Deutsche Grammophon, entitled ‘Mademoiselle.’ A collection of Bel canto arias.

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Enrique Mazzola, Markus Werba & Orchestre national d’Ile-de-France – Mahler – Bruckner (2019) [Official Digital Download 24bit/96kHz]

Enrique Mazzola, Markus Werba & Orchestre national d’Ile-de-France – Mahler – Bruckner (2019)
FLAC (tracks) 24 bit/96 kHz | Time – 59:19 minutes | 1007 MB | Genre: Classical
Studio Masters, Official Digital Download | Front Cover | © NoMadMusic

Mahler and Bruckner both are composers who have designed immense symphonic worlds based on intimate writings. This is the main theme of this album, which is Enrique Mazzola’s fifth album conducting l’Orchestre national d’le-de-France. It unites these two emblematic composers of the Germanic classical repertoire, with Mahler’s magnificent orchestral Lieder (Des Knaben Wunderhorn and Lieder eines fahrenden Gesellen), beautifully performed by baritone Markus Werba, and completed by Bruckner’s Vier Orchesterstücke.

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Enrique Mazzola, Rex Lawson And Orchestre National d’Ile-de-France – Milhaud: La bien-Aimée – Stravinsky: l’Oiseau de feu (2018) [Official Digital Download 24bit/48kHz]

Enrique Mazzola, Rex Lawson And Orchestre National d’Ile-de-France – Milhaud: La bien-Aimée – Stravinsky: l’Oiseau de feu (2018)
FLAC (tracks) 24 bit/48 kHz | Time – 01:11:19 minutes | 696 MB | Genre: Classical
Studio Masters, Official Digital Download | Front Cover | © NoMadMusic

After two albums devoted to Italian bel canto and De Falla’s Spain respectively, the Orchestre national d’Île-de-France heads to France and invite us to dance with a third collection dedicated to ballet music created at the Paris Opera. Rare and unfairly overlooked, La Bien aimée is a gem of collage technique, Milhaud’s work juxtaposing the music of Schubert and Liszt and arranging it for pianola (player piano) and orchestra. Meanwhile, Stravinsky’s Firebird, that incontrovertible masterpiece, transports us to the enchanting world of Russian fairy tales under Enrique Mazzola’s exalted baton.

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