Juliette Hurel, Emmanuelle Bertrand, Hélène Couvert – Nature romantique (2023)
FLAC (tracks) 24 bit/192 kHz | Time – 01:09:29 minutes | 2,27 GB | Genre: Classical
Studio Masters, Official Digital Download | Front Cover | © Alpha Classics
Three leading soloists here celebrate nature in Romanticism with music by Schubert, Weber, and Reinecke: flutist Juliette Hurel and pianist Hélène Couvert, celebrating thirty years of musical partnership, are joined for this recording by cellist Emmanuelle Bertrand, named “Instrumental Soloist of the Year” at the 2022 French Music Awards.
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Emmanuelle Bertrand, Pascal Amoyel and BBC National Orchestra of Wales – Shostakovich: Cello Concerto No. 1 (2013)
FLAC (tracks) 24 bit/96 kHz | Time – 01:03:05 minutes | 1,08 GB | Genre: Classical
Studio Masters, Official Digital Download | Front Cover | © harmonia mundi
10 stars out of 10 – “This is one hell of a performance of Shostakovich’s First Cello Concerto. Emmanuelle Bertrand and conductor Pascal Amoyel team up to produce one of the most intense and neurotic versions yet of this intense and neurotic piece”. – Classics Today
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Emmanuelle Bertrand, Maya Villanueva and Ensemble Syntonia – Benoît Menut: Les Îles (2020)
FLAC (tracks) 24 bit/96 kHz | Time – 01:10:58 minutes | 1,16 GB | Genre: Classical
Studio Masters, Official Digital Download | Front Cover | © harmonia mundi
An ocean crossing from the Iroise Sea to the Caribbean. Inspired as much by the poems of Dominique Lambert and Aimé Césaire as by Nito Dariel’s sculptures, Benoît Menut’s first album for harmonia mundi unfolds like a paean to the ocean and to Nature: an invitation to a voyage full of contrasts and without precedent, guided by the combined artistry of the Ensemble Syntonia and two of its partners of choice !
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Emmanuelle Bertrand & Pascal Amoyel – Johannes Brahms: Sonatas & Liebeslieder for Cello and Piano (Bonus Track Version) (2021)
FLAC (tracks) 24 bit/96 kHz | Time – 01:18:58 minutes | 1,32 GB | Genre: Classical
Studio Masters, Official Digital Download | Front Cover | © harmonia mundi
Emmanuelle Bertrand and Pascal Amoyel celebrate their twenty years together as a cello and piano duet. It is hardly surprising that they chose to mark this anniversary with the music of Brahms, a composer who has been a constant on their beautiful journey together: beyond his two ultra-romantic sonatas, they take the listeners to an even deeper emotional realm, that of his lieder, splendidly “sung” here by the cello!
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Emmanuelle Bertrand, Pascal Amoyel – Chopin: 1846, dernière année à Nohant (2015)
FLAC (tracks) 24 bit/96 kHz | Time – 01:12:29 minutes | 1,11 GB | Genre: Classical, Piano
Studio Masters, Official Digital Download | Front Cover | © harmonia mundi
After a relationship lasting some ten years, the last few of which were stormy, Frédéric Chopin finally separated from George Sand in July 1847. It was on her estate at Nohant that, over seven summers, he had composed or completed the core of his oeuvre: the Fantaisie Op.49, a dozen mazurkas, the Berceuse, several nocturnes, two of the ballades, two of the scherzos, his last two sonatas, the Trois Nouvelles Études, three impromptus, three waltzes, two polonaises, among others. The summer of 1846, the last he spent in the Berry region, saw the birth of his final masterpieces for it was at Nohant that he composed, started, or finished the last pieces to be printed in his lifetime: ‘miniatures’ like the Mazurkas Op.63 and the Waltzes Op.64, or pieces with a more elaborate structure such as the Barcarolle Op.60, the Nocturnes Op.62a and the Sonata for piano and cello Op.65, the final published opuses that are brought together in this programme.
Pascal Amoyel and Emmanuelle Bertrand plunge us into the heart of those few months before the couple’s separation, when the ailing Chopin did not yet know that he was leaving his musical testament.
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Emmanuelle Bertrand, Pascal Amoyel, Luzerner Sinfonieorchester & James Gaffigan – Saint-Saëns: Cello Concerto No. 1 – Cello Sonatas Nos. 2 & 3 (2017)
FLAC (tracks) 24 bit/96 kHz | Time – 01:06:54 minutes | 1,15 GB | Genre: Classical
Studio Masters, Official Digital Download | Front Cover | © harmonia mundi
“That’s it done at last, this blasted sonata! Will it please or not? That is the question.” So wrote Saint-Saëns, not without humour, of his second ‘quadruped’ for cello and piano. He adored the cello, as is shown by much more than the famous ‘Swan’. He wrote three sonatas for it, but unfortunately the last two movements of the Third Sonata have been lost and what is left survives only in manuscript. Emmanuelle Bertrand and Pascal Amoyel play it here with emotion and total respect. The Concerto also included here is today one of the ‘musts’ of the concertante repertory for cello.
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Emmanuelle Bertrand – Bach: Complete Cello Suites (2019)
FLAC (tracks) 24 bit/88,2 kHz | Time – 02:14:25 minutes | 2,29 GB | Genre: Classical
Studio Masters, Official Digital Download | Front Cover | © harmonia mundi
To record Bach’s Six Suites was Emmanuelle Bertrand’s most cherished dream; it has now become reality thanks to her encounter with an exceptional instrument. Built by Carlo Tononi in Venice in 1730, this cello with its deep and generous sound, set up in ‘Baroque’ style (with gut strings and bow to match), has proved to be the most faithful of partners for tackling one of the most impressive monuments in all western music.
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Emmanuelle Bertrand, Luzerner Sinfonieorchester, James Gaffigan – Tout un monde lointain (2015)
FLAC (tracks) 24 bit/96 kHz | Time – 47:40 minutes | 884 MB | Genre: Classical
Studio Masters, Official Digital Download | Front Cover | © harmonia mundi
A bouquet of French cello music.Dutilleux, the centenary of whose birth we celebrate on 22 January 2016, made his appearance on earth just a few months before the premiere of one of Debussy’s final compositions: the Cello Sonata presented on this disc. The filiation is a natural one, for at an early age fate placed Dutilleux under the auspices of the composer of Pelléas and in the vicinity of the cello, which his brother played. Alongside a new recording of the famous Strophes sur le nom de Sacher, Emmanuelle Bertrand joins with her partners in the Luzerner Sinfonieorchester to pay an eagerly awaited tribute to the ‘distant world’ hymned by the poems of Baudelaire and sublimely echoed by Dutilleux, the most sensitive composer of our time.
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