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Clematis, Stéphanie de Failly, Brice Sailly – David Pohle: Complete Sonatas & Ballet Music (2024)
FLAC (tracks) 24 bit/192 kHz | Time – 02:32:38 minutes | 5,21 GB | Genre: Classical
Studio Masters, Official Digital Download | Front Cover | © Ricercar
David Pohle was one of Heinrich Schütz’s most talented pupils although, unlike his master, Pohle did not compose only sacred vocal works; he also created a substantial body of instrumental music, including some thirty sonatas for four to eight instruments and a number of ballet suites. Pohle was very much an heir to the polyphonic tradition and was certainly influenced by the playing of Italian violinists, and particularly so by Carlo Farina, who lived in Dresden at that time. Pohle not only made use of Italian influences but also adapted models from French dance music: this explains the great diversity of structures in these sonatas, which in some respects also herald the outbursts of the stylus fantasticus. This is a revelatory first recording of Pohle’s complete sonatas.
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Clematis, Stéphanie de Failly – Vitali: Ciaconna (2013)
FLAC (tracks) 24 bit/96 kHz | Time – 01:02:14 minutes | 1,09 GB | Genre: Classical
Studio Masters, Official Digital Download | Front Cover | © Ricercar
Every violinist from the Romantic period onwards has played Tomaso Antonio Vitali’s famous Chaconne,although the score that they used was always based on the very much modified version of the piece that violin virtuoso Ferdinand David had made of it around 1860.Various unusual aspects of the piece together with some unexpected modulations have always led experts on the Baroque to regard the piece as inauthentic.Stéphanie de Failly,however,has gone back to the original manuscript and in so doing has not only shed new light on the work but also revealed its connections to other works by Tomaso Antonio Vitali and his father Giovanni Battista Vitali.The musical invention in Giovanni Battista’s pieces and dances with variations leads the listener directly to the extravagances of the Chaconne.
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Clematis – Legrenzi: Sonate & Balletti (2016)
FLAC (tracks) 24 bit/48 kHz | Time – 01:17:26 minutes | 872 MB | Genre: Classical
Studio Masters, Official Digital Download | Front Cover | © Ricercar
After Carlo Farina and the Vitalis, Clematis continues its exploration of the Italian Baroque instrumental repertoire with Giovanni Legrenzi. The Sonatas taken from the collections he published in Venice between 1655 and 1673 feature highly diverse forms ranging from the trio sonata up to larger forms for 4, 5, or 6 parts and even double choir. His final collection of instrumental music, Balletti e Correnti, published in 1691, offers us a very different view of instrumental music in which certain French influences cannot be denied. Here, Clematis gives us the first complete anthology of his instrumental works. The variety of forms and forces ensures this disc with a fine diversity of styles from sonatas still close in spirit to those of Biagio Marini up to those for four violins foreshadowing the generation of Vivaldi. Recorded in two different locations, this anthology lets us discover these compositions in the sonority either of the church with its choir organ or, more intimate, the chamber.
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Christian Immler, Clematis, Leonardo García-Alarcón – Bach & Böhm: Music for Weddings and other Festivities (2012)
FLAC (tracks) 24 bit/44,1 kHz | Time – 01:08:05 minutes | 626 MB | Genre: Classical
Studio Masters, Official Digital Download | Front Cover | © Ricercar
Let us once more immerse ourselves in the musical life of Eisenach as it was at the end of the 1670s. One Sunday afternoon, after having played for the services in their respective churches, the cousins Johann Ambrosius Bach and Johann Christoph Bach were sitting in a Bierstube, each with a mug of beer and a meerschaum pipe. A moment of relaxation, with word games, laughter and a discussion about Johann Christoph’s coming marriage. There would naturally be music for the wedding, with a cantata for the church service at the very least. That particular Sunday morning’s cantata had been based on texts from the Song of Solomon — not Böhm’s, of course, because Böhm had only been born in 1661. The sensual and at times erotic flavour of the words amuses them and, after several beers and pipefuls of tobacco, they have an idea for a secular cantata for the festivities that will follow the wedding ceremony. Christoph will compose the music, whilst Ambrosius will put together the text and instructions for its performance. Even though we do not know how this cantata was performed, its score has survived complete with all of its the puzzles and riddles.
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Clematis – O Jesulein… A German Baroque Christmas Oratorio (2022)
FLAC (tracks) 24 bit/176,4 kHz | Time – 01:14:31 minutes | 2,51 GB | Genre: Classical
Studio Masters, Official Digital Download | Front Cover | © Ricercar
This innovative programme presents an imaginary Christmas oratorio made up of works by German composers of the 17th century. Many of these works are unpublished and come from the splendid Düben collection in the library of the University of Uppsala; they are arranged here in a sequence that introduces the scenes and the principal characters of the Nativity: Mary, Joseph, the Archangel Gabriel, the angels, the shepherds, the Magi and Simeon. These works belong to the genre of the historia sacra and depict the dialogue of the Annunciation between the archangel Gabriel and Mary, the arrival of the Magi — guided by angels — at the manger, and the scene where Mary and Joseph look for Jesus in the Temple. These narrative scenes stand in contrast to the large ensembles that represent the angelic host, the shepherds, and the adoring multitudes before the manger. The instruments also play an important role in this celebration with their contrasting timbres. This recording features works by Andreas Hammerschmidt, Wolfgang Carl Briegel, Christian Flor, Christoph Bernhard, Heinrich Schütz, Franz Tunder, David Pohle, and Thomas Selle.
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Choeur de Chambre de Namur, Clematis, Leonardo Garcia Alarcon – De Lassus: Canticum canticorum (2016)
FLAC (tracks) 24 bit/88,2 kHz | Time – 01:04:51 minutes | 1,05 GB | Genre: Classical
Studio Masters, Official Digital Download | Front Cover | © Ricercar
At the height of the Renaissance, the music of Orlande de Lassus frequently combines the emotion of secular music with sacred compositions. With their erotic connotations, the texts of The Song of Songs are an ideal source for bringing together sacred and profane feelings. Based on his most famous song, Lassus wrote one of his unitary masses: Suzanne un jour. Along with the Magnificat that he composed on De Rore’s madrigal Ancorche col partire, here are two religious compositions of which the themes are borrowed from evocations of amorous turmoil.
Read more![Clematis, Stéphanie de Failly, Brice Sailly, Julie Roset - Nun danket alle Gott (2020) [Official Digital Download 24bit/192kHz] Download](https://imghd.xyz/images/2022/09/12/a6qrfv08fo7hc_600.jpg)
Clematis, Stéphanie de Failly, Brice Sailly, Julie Roset – Nun danket alle Gott (2020)
FLAC (tracks) 24 bit/192 kHz | Time – 01:02:09 minutes | 1,99 GB | Genre: Classical
Studio Masters, Official Digital Download | Digital Booklet, Front Cover | © Ricercar
With its ciaconna bass, Hammerschmidt’s sacred concerto Nun danket alle Gott perfectly exemplifies the programme of this recording devoted to the influences of the Italian Baroque on the works of seventeenth-century Lutheran composers. The vast majority of the repertory gathered here comes once again from the exceptionally rich library assembled at the end of the seventeenth century by Gustav Düben, organist of the German Church in Stockholm. His collection contains the only known copy of a Confitebor tibi, Domine by Claudio Monteverdi. Other composers such as Bernhard and Rosenmüller had very close links with Italy and were among those who helped to disseminate Italian practices in the German-speaking lands. In all this sacred repertory, the role of instruments, and particularly that of the violin (the emblematic instrument of Italy), is highly developed. The instruments accompany the voice and comment on the texts in most expressive fashion. This programme also offers a chance to discover some gems by lesser-known composers such as Hanff, Pfleger and Pohle.
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Stéphanie de Failly, Clematis, Brice Sailly – Quattro violoni a Venezia (2019)
FLAC (tracks) 24 bit/192 kHz | Time – 01:04:31 minutes | 2,34 GB | Genre: Classical
Studio Masters, Official Digital Download | Digital Booklet, Front Cover | © Ricercar
Although the first violin virtuosos came mainly from Cremona, Brescia or Mantua, it was Venice that swiftly emerged as the principal centre for the development of instrumental music. Moreover, it was there that most collections of this music were printed all through the seventeenth century. It is curious to note that all these virtuosos obviously enjoyed sharing their success with their colleagues: for, alongside works for one or two violins and continuo, almost all the composer-violinists gathered together on this disc conceived sonate, canzone or sinfonie for ensembles of three or four violins. In addition, these compositions often make use of bichoral or echo effects. All this was happening as part of the discovery of that nascent virtuosity so characteristic of the Baroque period, as a result of which instrumentalists devised many new effects, such as the use of double stopping, and drew attention to their artistry with virtuoso runs akin to the extravagant language of the toccata.
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