Alexandre Gattet, Les Dissonances, David Grimal – Mozart: Oboe Concerto & ‘Gran Partita’ (2016)
FLAC (tracks) 24 bit/88,2 kHz | Time – 01:06:54 minutes | 1,08 GB | Genre: Classical
Studio Masters, Official Digital Download | Front Cover | © Les Dissonances
Oboe Concerto in C major K314: All his life, Mozart (1756 – 1791) was an indefatigable traveller, especially during his childhood and youth. On 22 September 1777 he left Salzburg with his mother, en route for Augsburg, Mannheim and then Paris, with a view to obtaining a secure position and a regular income. The first reference to the Oboe Concerto appears in a letter from Leopold Mozart to his son dated 15 October 1777: ‘. . . if you had a copy of your oboe concerto, Perwein might enable you to make an honest penny in Wallerstein.’ The oboist Perwein had left the service of Archbishop Colloredo of Salzburg to take up a post in Wallerstein; his departure had led to the engagement in April 1777 of an Italian virtuoso, Giuseppe Ferlendis, for whom this concerto was initially conceived.
On 4 November Mozart answered his father. During his stay in Mannheim, he had discovered among the members of one of the nest orchestras of the day a small community of outstanding musicians who were to become his friends, including the Konzertmeister Cannabich and the first oboe Ramm. Mozart related that he had made the acquaintance of the oboist, ‘who plays very well and has a delightfully pure tone. I have made him a present of my oboe concerto . . . and the fellow is quite crazy with delight. I played this concerto to him today on the pianoforte at Cannabich’s, and although everybody knew that I was the composer, it was very well received! Nobody said that it was not well composed, because the people here do not understand such matters . . .’ (The last sentence is of course sarcastically intended.)
Read moreAlexandre Gattet – Paris 1900 – The art of the Oboe (2022)
FLAC (tracks) 24 bit/96 kHz | Time – 01:04:50 minutes | 1,04 GB | Genre: Classical
Studio Masters, Official Digital Download | Digital Booklet, Front Cover | © Indésens
Since 1830, teachers at the Paris Conservatory and French instrument makers ensured that the oboe established itself anew and increasingly as both an orchestral and popular solo instrument in France. This became particularly noticeable at the turn of the 20th century under the influence of Saint-Saëns, Franck, Vierne, Pierné, who wrote important works for woodwinds – precisely also for the oboe.
(more…)