Alban Gerhardt, Sebastian Weigle, Rundfunk-Sinfonieorchester Berlin – Pfitzner: Cello Concertos (2014)
FLAC (tracks) 24 bit/96 kHz | Time – 01:07:28 minutes | 1,16 GB | Genre: Classical
Studio Masters, Official Digital Download | Front Cover | © Hyperion Records
Hyperion’s Romantic Cello Concerto series continues to bring new works into a repertoire currently dominated by Dvořák and Elgar. Alban Gerhardt performs the three concertos by Hans Pfitzner, a composer remembered most for his opera Palestrina.
Pfitzner’s early Cello Concerto in A minor, Op posth., was scorned by his teachers (although liked by the composer himself) and the manuscript disappeared during his lifetime. It was first performed in public on 18 February 1977 and published the following year. His Cello Concerto in G major, Op 42, was written almost half a century later. Completed in 1935, this richly melodic single span was composed for the cellist Gaspar Cassadó (1897–1966), one of the finest cellists of his generation. This beautifully constructed concerto derives its material from the lyrical cello solo (heard over a quiet timpani roll) at the very start of the work. The orchestration is deft and often delicate, never submerging the solo instrument, but full of attractive surprises, not least the tumbling trumpet fanfares that introduce the first of the faster sections. The Cello Concerto in A minor, Op 52, is dedicated to Ludwig Hoelscher (1907–1996), a pupil of two giants of German cello-playing: Hugo Becker and Julius Klengel. It was completed in 1943 and published in 1944. Also included is a Duo for violin, cello and small orchestra.
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Alban Gerhardt, Alliage Quintett – Phantasy in Blue: Music for Cello and Saxophone Quintet (2023)
FLAC (tracks) 24 bit/48 kHz | Time – 01:09:40 minutes | 639 MB | Genre: Classical
Studio Masters, Official Digital Download | Front Cover | © Hyperion
Playful yet serious, imaginative yet true to the spirit of the originals: Alban Gerhardt and the inimitable Alliage Quintett offer a wholly new perspective on a variety of favourites drawn from the cello’s established repertoire and beyond.
Read moreAlban Gerhardt, Deutsches Symphonie-Orchester Berlin, Stefan Blunier – Fitzenhagen: Cello Concertos (2015)
FLAC (tracks) 24 bit/48 kHz | Time – 01:14:59 minutes | 727 MB | Genre: Classical
Studio Masters, Official Digital Download | Front Cover | © Hyperion Records
The music of Wilhelm Fitzenhagen bursts into the Hyperion catalogue with two triumphant cello concertos, a couple of other original works, and his (in)famous version of the Tchaikovsky Rococo Variations. Ace cellist Alban Gerhardt presides.
Read moreAlban Gerhardt, Royal Flemish Philharmonic, Josep Caballé-Domenech – The Romantic Cello Concerto 6 – Vieuxtemps: Cello Concertos; Ysaÿe: Méditation & Sérénade (2015)
FLAC (tracks) 24 bit/96 kHz | Time – 01:05:05 minutes | 1,13 GB | Genre: Classical
Studio Masters, Official Digital Download | Front Cover | © Hyperion Records
Hyperion’s blossoming Romantic Cello Concerto series welcomes back German virtuoso Alban Gerhardt for this sixth volume. Henry Vieuxtemps and Eugène Ysaÿe are of course best known for their blistering pyrotechnics on the violin, but each of this eminent teacher-and-pupil pairing also wrote two works—little known today, alas—for cello and orchestra, and what a revelation they are. The two Vieuxtemps Concertos contain all the elements familiar from their famous violin counterparts—long-arched melodies alongside moments of outrageous virtuoso demands. The Ysaÿe works are shorter and make ideal companions.
Gerhardt rises to the formidable challenges presented by these composers. Sympathetic orchestral support comes from the Royal Flemish Philharmonic (compatriots of the two composers) and Josep Caballé-Domenech, making his Hyperion conducting debut.
Read moreAlban Gerhardt – Bach: The Cello Suites (2019)
FLAC (tracks) 24 bit/96 kHz | Time – 02:09:23 minutes | 2,21 GB | Genre: Classical
Studio Masters, Official Digital Download | Front Cover | © Hyperion Records
Those elusive qualities of ‘transcendental beauty paired with an enchanting simplicity’, eloquently glossed by Alban Gerhardt in his booklet note, might also be said to characterize his playing in this outstanding new recording.
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