Lisa Larsson, Combattimento Consort Amsterdam, Jan Willem de Vriend – Ladies First! Opera arias by Joseph Haydn (2013) [Official Digital Download DSF DSD128/5.64MHz]

Lisa Larsson, Combattimento Consort Amsterdam, Jan Willem de Vriend – Ladies First! Opera arias by Joseph Haydn (2013)
DSF Stereo DSD128/5.64 MHz | Time – 01:03:07 minutes | 4,98 GB | Genre: Classical
Studio Masters, Official Digital Download – Source: nativeDSDmusic | Booklet, Front Cover |  © Challenge Records

The operas of Joseph Haydn are far less known today than those of his contemporaries Christoph Willibald von Gluck (1714 — 1787) and Wolfgang Amadeus Mozart (1756 -1791). In 1790 Haydn was generally considered the most famous composer of his age, but the relative obscurity of his operas in comparison with his other works today was also the case in the 18th century. How is it possible that Haydn’s operas are still relatively unknown, despite a remark Empress Maria Theresia expressed upon hearing Haydn’s L’ Infeldelta Delusa in 1773; “If I want to hear good opera, I am going to Esterhaza!”

Between 1761 and 1790 Haydn was in the employment of Prince Paul von Esterhazy and his son and successor Prince Nikolaus, both passionate music lovers. From 1766 onwards, Haydn wrote, in addition to composing chamber music and symphonies, four Italian comedies, six German Singspiele and numerous Italian operas for his employers of the Esterhazy dynasty. Furthermore he also supervised all musical activities at the court including yearly performances of more than 150 operas, many composed by his contemporaries. As Kapellmeister Haydn was not only responsible for musical direction of the operas but also for staging, contracting the singers and occasionally writing an extra aria as required, like the aria “Quando la rosa”. This aria was included in the performance of Guiseppe Anfossi’s opera La Metilde Ritrovata (1773).

Tracklist:

01 – Scena di Berenice, cantata for soprano and orchestra, Hob. XXIVa-10
02 – Armida, Hob. XXVIII-12- Overture
03 – Lanima del filosofo, Hob. XXVIII-13- Recitativo di Euridice ‘Numi possenti, aita!’
04 – Lanima del filosofo, Hob. XXVIII-13- Recitativo accompagnato di Euridice ‘Dov’, l’amato bene’
05 – Lanima del filosofo, Hob. XXVIII-13- Cavatina di Euridice ‘Del mio core il voto estremo’
06 – Arianna a Naxos, cantata for soprano and orchestra, Hob. XXVIb-2
07 – Lisola disabitata, Hob. XXVIII-9- Overture
08 – Lisola disabitata, Hob. XXVIII-9- Aria di Silvia ‘Fra un dolce deliro’
09 – Linfedelta delusa, Hob. XXVIII-5- Aria di Sandrina ‘E la pompa un grandimbroglio’
10 – La Metilde ritrovata, Hob. XXXIVb-3- Aria di Nannina ‘Quando la rosa non ha pi spine’
11 – Linfedelta delusa, Hob. XXVIII-5- Aria di Vespina ‘Trinche vaine allegramente’

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