Jacqueline du Pré, Daniel Barenboim, Chicago Symphony Orchestra – Dvorak: Cello Concerto, Silent Woods (1971/2012) [Official Digital Download 24bit/96kHz]
Jacqueline du Pré, Daniel Barenboim, Chicago Symphony Orchestra – Dvorak: Cello Concerto, Silent Woods (1971/2012)
FLAC (tracks) 24 bit/96 kHz | Time – 49:06 minutes | 0,99 GB | Genre: Classical
Studio Master, Official Digital Download | Source: HDTracks | @ EMI Classics
This remastered blockbuster features the extraordinary virtuoso Jacqueline du Pre, Daniel Barenboim and the Chicago Symphony Orchestra, as the performers explore two dynamic works by Dvorak: his Cello Concerto in B Minor, B.191, Op.104 and the Silent Woods. Jacqueline du Pre masterfully displays her outstanding technique with vivid vibrancy, while Barenboim commands the renowned orchestra.
1. Anton Dvorak Cello Concerto in B Minor, B.191, Op.104: I. Allegro
2. Anton Dvorak Cello Concerto in B Minor, B.191, Op.104: II. Adagio ma non troppo
3. Anton Dvorak Cello Concerto in B Minor, B.191, Op.104: III. Finale (Allegro moderato) 13:34 AIFF 96/24 Album only
4. Anton Dvorak: “Silent Woods” (Adagio for Orchestra): B.173, Op.68/5
Soloist: Jacqueline du Pre
Orchestra: Chicago Symphony Orchestra
Conductor: Daniel Barenboim
About the Remastering
Four engineers at Abbey Road Studios in London have remastered these historic EMI recordings from their original analogue sources for release in pristine hi-def. Between them, Simon Gibson, Ian Jones, Andy Walter and Allan Ramsay have many years of experience remastering archive recordings for EMI and other record labels. The process always starts with finding all of the records and tapes in EMI’s archive in London and comparing different sources and any previous CD reissues. We consult each recording’s job file, which contains notes about the recording made by the engineer and producer. For example, this sometimes explain why there is more than one set of tapes to choose from. All of the tapes are generally in good condition and we play them on our Studer A80 p inch tape machine, after careful calibration of its replay characteristics.
In order to have the best digital remastering tools at our disposal for the remastering, we transfer from analogue to the digital domain at 96 KHz and 24-bit resolution using a Prism ADA-8 converter and capture the audio to our SADiE Digital Audio Workstation.